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Jonathan Strange & Mr Norrell
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Jonathan Strange & Mr Norrell Jonathan Strange & Mr Norrell Jonathan Strange & Mr Norrell Jonathan Strange & Mr Norrell

Meet The Colourist

Nico Ilies

Head Colourist, Technicolor Montreal

Nico Ilies is Head Colourist at Technicolor in Montreal, which recently joined the New York, Los Angeles and London Technicolor facilities with Baselight as part of their DI pipeline. Nico started his career as a colourist in Munich 20 years ago and brings an impressive portfolio. Most recently he graded the BBC television production, Jonathan Strange & Mr Norrell.

How did you start out in post and become a colourist? Was it luck or a ready mapped out plan?

A bit of luck, a bit of planning, and a lot of planning my luck. While I love the cinema I actually studied mechanical engineering, specialising in optics in Bucharest during the communist era. Through my university days I got my hands on a VIP pass to the Romanian Cinematheque and I spent a lot of time watching movies and studying all the greats.

Two years after I graduated the revolution came, which meant I could get a passport. I set off to find a job in Germany, and – whether by accident or luck – I ended up one day at Bavaria Film Studios, on the set of Smilla’s Sense of Snow. Seeing the DoP at work was fascinating for me. I asked him for advice on a career and he suggested I become a colour timer. That was the clue for me to plan my luck.

I got a job as a tape operator at Beta Technik near Munich. In my free time I shadowed the senior colourists, people like Miguel Lopez, Martina Kiechle and Alfred Kohlmann, and eventually I was allowed into the grading suite on my own.

Actually, my first job as a colourist was on a black and white feature. Of course I thought they were joking, asking me to colour correct a black and white movie, but they explained that keeping the same contrast throughout the feature, making sure all the cuts are smooth and you do not notice any luminance jumps is a core skill to becoming a decent colourist.

What sort of content do you work on?

For a while I worked on commercials, but in the last seven years I have mostly concentrated on feature films and DI.

Recently I have been setting looks for Crouching Tiger, Hidden Dragon 2, and will do the final grade in a few months.

Tell us more about Jonathan Strange & Mr Norrell.

Describe your Baselight suite and set-up and how it increases your productivity and creativity?

What about using raw data?

What are the challenges in getting the look you want?

What makes for a good day at your desk?

How has your role as a colourist changed?

What skills do you need to be a successful colourist?

Who is your inspiration?

What or who is your favourite film, actor or director?

Return to Meet The Colourist
 

Join In

If you want to participate in our MTC programme, we'd love to hear from you. Contact:

Alexa Maza
e: alexa@filmlight.ltd.uk

 

Photographer: Yves Clement

 

“An artisan needs the right tools to create the best results. Baselight is my tool of choice and I am grateful for it everyday.”

 

Details

Colourist: Nico Ilies
Role: Head Colourist
w: Technicolor Montreal


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