My journey began in 2009 as an editor and finishing artist. As I delved deeper into the post-production world, I discovered the creative potential of the DI process and decided to pursue it. Over the years, I have honed my skills using a wide variety of solutions, including Baselight. My background in editing has also allowed me to incorporate compositing into my grading, enhancing the visual storytelling of each project.

As a colourist, I have worked on a diverse range of content, including feature films, episodics, short films, documentaries, and indie projects. Each project offers a unique opportunity to enhance the visual aesthetic, set the mood, and ensure consistency. 

I have also worked on music videos, where colour grading plays a significant role in conveying the mood and strengthening the storytelling aspect of the song.

Colour plays a pivotal role in influencing how audiences interpret the director's narrative. It sets the tone for the content, conveying emotions and creating atmosphere.

Colour has long been a powerful tool in shaping audience perceptions of film and television, with its impact continuously evolving in response to advancements in technology, shifts in storytelling techniques, and changing cultural dynamics.

Colours often carry cultural and symbolic meanings that can differ between regions. In Bollywood productions, specific colours are often used symbolically to express emotions, themes, or cultural values that strongly resonate with Indian audiences. For instance, vibrant and bold hues are frequently associated with celebrations, weddings, and festivals in Indian culture. Conversely, international productions may utilise colour differently, aligning their choices with the cultural context of the story being portrayed.