Richard’s experience includes feature films, documentaries, television shows, commercials and stereoscopic 3D and Virtual Production.  As well as experience as a colourist and editor,  he specialises in managing high-volume multicam shows and complex colour and look pipelines. 
Some of Richard’s biggest projects include the Alexa65-based Netflix series Dark, 1899, Damsel, The Kingdoms of Fire (5 months of LF action-insanity in the Sahara), Avengers: Age of Ultron and Chappie.
He recently branched into Virtual Production Supervision, serving as such on several high-end productions including The Phoenician Scheme, for Wes Anderson.