FilmLight develops unique colour grading systems, image processing applications and workflow tools.

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What Baselight colourists say about Baselight

Cem Ozkilicci, Freelance Colourist »

“For product work, Segment Anything is huge and you can get clean masks in seconds. Plus, it also brings a wow factor for clients, too.”

Cem Ozkilicci, Freelance Colourist »

Veronica Tiron, Freelance Colourist »

“Sometimes I’m on set, sometimes in a lab, sometimes travelling with just a laptop. For me, the image staying consistent in every environment is crucial.”

Veronica Tiron, Freelance Colourist »

Peter Doyle, PostWorks NY »

“X Grade has refined the process of selective colour work. It offers a cleaner, less convoluted way of interacting with imagery.”

Peter Doyle, PostWorks NY »

Eric Weidt, Freelance Colourist »

“Baselight adds great new creative tools - things that make the arduous task of grading actually fun. I don’t think any other software comes close.”

Eric Weidt, Freelance Colourist »

Paul Harrison, Residence Pictures »

“The UI is great, being able to collapse big timeline stacks is a really useful feature, and being able to lock grades to do trim passes is brilliant.”

Paul Harrison, Residence Pictures »

Raúl Lavado Verdú, Freelance Colourist »

“Face Track revolutionises the way we can perfect skin tones, delivering unparalleled precision in facial tracking.”
 

Raúl Lavado Verdú, Freelance Colourist »



Professional colourists choose Baselight

Tips & tricks »️

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

Professional integration



Baselight Online Free Training

As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.

Watch »          Find out more »


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

BLG for Flame

Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Grading Panels

High-precision instruments for artists.



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Baselight v7

Cem Ozkilicci — a freelancer’s perspective on Baselight v7

Case Study »
Baselight v7

Veronica Tiron puts Baselight v7 to the test on Baselight S on macOS

Case Study »
Grading Chespirito: Sin Querer Queriendo

The colour grade for this popular Mexican series was completed by Fernando Medellin, head of colour at Oxido.

Case Study »
The aesthetics of dystopia: colour grading ‘Black Mirror’ season 7 (PART THREE)
‘Eulogy’

The season showcases a diverse array of directors, but one constant across five of the six episodes was senior colourist Sam Chynoweth at The Farm.

Case Study » The aesthetics of dystopia: colour grading ‘Black Mirror’ season 7 (PART TWO)
‘Hotel Reverie’

The season showcases a diverse array of directors, but one constant across five of the six episodes was senior colourist Sam Chynoweth at The Farm.

Case Study »

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