FilmLight develops unique colour grading systems, image processing applications and workflow tools.

Download
         


Effective Colour Management from Production to Distribution

Truelight Colour Spaces allow colour space conversions to be performed with the speed, accuracy, and dynamic range permitted by native floating-point GPU functionality. They can be defined externally of Baselight formats, and have a powerful function set that allows complex transforms formerly only possible with 3D LUT mechanisms.


Truelight Colour Spaces:
Improvements in Baselight 5.0

 

For more info on Truelight Colour Spaces, see these recent videos from the International Cinematography Days 2018 in Stuttgart:

 
 

This video explains the improvements to colour management in the Baselight v5 release. The video looks at the architectural changes to colour management, including:

  • Mastering Colour Space
  • DRT families and viewing conditions
  • New default colour space (FilmLight: T-Log / E-Gamut)
  • New DRT family (Truelight CAM)
  • Truelight Scene Looks

From Photons captured by a Camera to Photons emitted by a Display

 

In this seminar, FilmLight's Daniele Siragusano provided a full and complete picture of how data acquired by a camera is recorded, manipulated, finally interpreted and prepared to be viewed by the audience. Several fundamental concepts were explained:

  • Camera profiling: the principles of camera encoding and operations.
  • A novel way to think about exposing a camera.
  • Different colour grading styles and their heritage.
  • Colour appearance modeling and preferred colour reproduction.
  • Base Grade: a photographic approach to colour grading.

Managing Colour in a Multi-Delivery Production

 

In this seminar, Daniele discussed future-proof colour management strategies optimised for multi-delivery (SDR and HDR). First, fundamental differences in display characteristics between HDR and SDR Displays were reviewed from a technical and creative standpoint. Based on those findings, the major HDR distribution standards were examined from a conceptual standpoint. Finally, a distribution agnostic post-production colour workflow, and an outlook on future work, were presented.


sitemap | accessibility | [email protected]
© 2024 FilmLight Ltd. All rights reserved | Legal/privacy notice |