Use the Baselight Grade (BLG) file to create, transfer and review looks between all FilmLight systems, including FLIP and Daylight

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Handle digital camera content natively with full metadata control, including RED, ALEXA, and Sony F5, F55 and F65

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Define transforms for format conversion or use the standard transforms provided (e.g. Super35 to CinemaScope)

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Grade and restore film simultaneously with PFClean

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Work with an extensive range of image and movie formats in many different codecs

Create scenes with the correct formats and colour spaces quickly and easily using scene templates

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Mix formats freely within a scene or project

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Produce multiple format deliverables from a single timeline in a single pass

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Use setups to save options in named configurations, including IO operations and display settings

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Perform complex colour space transforms with externally defined Truelight Colour Spaces

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Export Autodesk DLEDL files for Autodesk Flame/Smoke

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Set up format-dependent masks and safe areas

Preview and render a Digital Cinema Package (DCP) directly from the Baselight application itself

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Add subtitles in the Digital Cinema Interop (CineCanvas™) version 1.1 format

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Integrate with Avid systems via AAF import & export, MXF reading, writing & reconform of multi-track timelines, and ALE export

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Integrate with Final Cut Pro via XML import & export, reading of multi-track sequences, with QuickTime media support for Apple ProRes codecs

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Control all telecine features, including noise reduction, on DFT Digital Film Technology Spirit DataCine, Spirit HD, Spirit 2K, Spirit 4K and Shadow Telecine systems

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Reframe/reformat with 'cascadeable', dynamic pan and scan