FilmLight develops unique colour grading systems, image processing applications and workflow tools.
Use the Baselight Grade (BLG) file to create, transfer and review looks between all FilmLight systems, including FLIP and Daylight
Handle digital camera content natively with full metadata control, including RED, ALEXA, and Sony F5, F55 and F65
Define transforms for format conversion or use the standard transforms provided (e.g. Super35 to CinemaScope)
Grade and restore film simultaneously with PFClean
Work with an extensive range of image and movie formats in many different codecs
Create scenes with the correct formats and colour spaces quickly and easily using scene templates
Mix formats freely within a scene or project
Produce multiple format deliverables from a single timeline in a single pass
Use setups to save options in named configurations, including IO operations and display settings
Perform complex colour space transforms with externally defined Truelight Colour Spaces
Export Autodesk DLEDL files for Autodesk Flame/Smoke
Set up format-dependent masks and safe areas
Preview and render a Digital Cinema Package (DCP) directly from the Baselight application itself
Add subtitles in the Digital Cinema Interop (CineCanvas™) version 1.1 format
Integrate with Avid systems via AAF import & export, MXF reading, writing & reconform of multi-track timelines, and ALE export
Integrate with Final Cut Pro via XML import & export, reading of multi-track sequences, with QuickTime media support for Apple ProRes codecs
Control all telecine features, including noise reduction, on DFT Digital Film Technology Spirit DataCine, Spirit HD, Spirit 2K, Spirit 4K and Shadow Telecine systems
Reframe/reformat with 'cascadeable', dynamic pan and scan