Cannes Film Festival 2019 & Baselight
Congratulations to the winners of this year’s Cannes Film Festival.
Eight of the movies in competition were finished on Baselight, among them the winner of the Palme D’or, Joon-ho Bong’s Parasite graded by Kevin Kang at Dexter The Eye, and … Continue reading →
FilmLight introduces ProRes RAW native support
The latest version of the core Baselight software, version 5.2, and Daylight now support native access to the ProRes RAW format. This is one of the first full implementations of the ProRes RAW format from a world-leading professional colour grading … Continue reading →
At NAB 2019, FilmLight adds more to modern colour finishing and delivery
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline … Continue reading →
Latest FilmLight Colour Day to be held at NAB2019
Free colour masterclass demonstrates latest workflows and techniques with leading colourists
The next in the series of acclaimed FilmLight Colour Day masterclasses will be held alongside NAB on Monday 8th April 2019. Presented by industry leaders in creative grading, this … Continue reading →
Camera & Light: ARRI Academy HDR Master Class
In Camera & Light magazine, you can read about the ARRI Academy HDR master class at the San Sebastián Film Festival…
“Within the 66th internationalSan Sebastián Film Festival, an event organised by ARRI/VCI and FilmLight was held, dedicated to … Continue reading →
FilmLight activates v5 for Baselight STUDENT
Latest Baselight STUDENT release for professional and aspiring colourists now available
Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their … Continue reading →
FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018
FilmLight’s Japanese branch, FilmLight KK, to showcase the power of Baselight v5
FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). … Continue reading →
New videos – International Cinematography Days, Stuttgart, March 2018
Daniele Siragusano, Image Engineer at FilmLight, presented two seminars at the International Cinematography Days in Stuttgart earlier this year. Watch below, or go to Tutorials > Truelight Colour Spaces for these videos and more.
From Photons captured by a Camera … Continue reading →
Meet The Colourist: David Basta, Senior Colourist, Lumeni Productions, Glendale CA
Meet The Colourist: Simon Astbury, Head of Colour, Digital Domain Shanghai
FilmLight creates Cold War look for ‘The Americans’
Series six graded for HDR and 4K Ultra HD at Technicolor PostWorks
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in … Continue reading →
Baselight innovation streamlines collaborative creativity at IBC2018
New tools designed to meet the real needs of creative colourists
FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown … Continue reading →
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