Creating a supernatural colour grade for ‘Salt Along the Tongue’
Article courtesy of Digital Media World
Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final… Continue reading →
Luca Guadagnino’s Queer
Article courtesy of Post
The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio Del Bravo.… Continue reading →
Behind the look: Disclaimer
Article courtesy of Televisual
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at … Continue reading →
FilmLight introduces REMOTE
Article courtesy of TV Technology
FilmLight has officially launched FilmLight REMOTE, a remote colour grading solution that allows post houses and colourists to work remotely without sacrificing the high-quality and low-latency monitoring essential for fast and efficient… Continue reading →
FilmLight introduces REMOTE
FilmLight REMOTE delivers high-quality, low-latency remote grading
FilmLight has announced the introduction of FilmLight REMOTE, a singular solution for remote colour grading, providing post-houses and colourists with the ability to work remotely without sacrificing the high-quality and low-latency monitoring that … Continue reading →
Micro Salon. Paris. Friday February 7
Friday February 7, 11am
Parc Floral de Paris
Rencontre créative : Dans les coulisses de Saint-Ex
FilmLight sera au Micro Salon à Paris le 7 Fevrier à 11h et vous invite à une rencontre avec Pablo … Continue reading →
Colour Talks. Brussels. Thursday January 23
Thursday January 23
Cinema Palace / 85 Boulevard Anspach, 1000 Brussels
Brought to you by FilmLight & Sondr
6:00pm / Doors open
6:30pm / Presentations followed by drinks
Refining colour grading workflows with Baselight 7 and machine-learning algorithms… Continue reading →
The Penguin: Honouring the look of The Batman
Article courtesy of postPerspective
If you’ve seen the show, you’ve likely noticed its distinctive look, part of which could be attributed to The Penguin’s color grading, which was overseen by Picture Shop’s supervising DI colorist… Continue reading →
Light Iron selects Nara
Article courtesy of Digital Cinema Report
Light Iron has selected Nara for its New York and Los Angeles facilities – streamlining its workflow solution and accessibility across sites from dailies through to finishing.… Continue reading →
Ross Baker, head of colour, Molinare
Article courtesy of Digital Media World
Ross Baker, senior colourist and head of grading at Molinare in London, talks about building his career from telecine departments to running a team working across multiple genres…… Continue reading →
FilmLight Colour Awards reveal 2024 winners
Baselight in the cloud on display in London
Thank you to everyone who joined us recently for our product event in our new look London HQ.
Alongside the presentations on Baselight 7 and Nara, we provided a continuous live demonstration of Baselight running in AWS, using REMOTE to stream to a … Continue reading →
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