C+T: DoP Heads Up – From Production to Finish
From C+T:
DoP Heads Up – From Production to Finish
Wolfgang Lempp, CEO and co-founder, FilmLight, reports.
Movies and high quality television programmes are now routinely shot with digital cameras, and completed with a range of extremely powerful post-production … Continue reading →
Technicolor PostWorks creates colour for Café Society
Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing
Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which … Continue reading →
Meet The Colourist: Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY
Meet Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY.
Anthony Raffaele began his career with Nice Shoes in 2001 and joined Deluxe in 2009. Now at Technicolor PostWorks, Anthony is one of the most sought-after colourists in the city, recently working … Continue reading →
The Legend of Tarzan creates unique 3D and colour collaboration
Prime Focus and Technicolor join forces using FilmLight’s BLG workflow to ensure director can see completed grades throughout stereo conversion process
Director David Yates wanted a big, expansive feel for his fresh take on the Edgar Rice Burroughs classic, The … Continue reading →
postPerspective: Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
From postPerspective:
Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
After watching Mr. Robot when it premiered on USA Network last year, I changed all of my computer passwords and added a degree of difficulty that I’m … Continue reading →
Meet The Colourist: Beau Leon, Lead Colourist, Framestore, Los Angeles
Meet Beau Leon, Lead Colourist at Framestore, Los Angeles.
Beau joined Framestore in October 2015. His appointment marked the opening of the LA colour studio, adding further creative firepower to Framestore’s West Coast operation.
You can read the full interview … Continue reading →
FilmLight demonstrates extended grading creativity at Expo Cine
The Baselight environment, already the most sophisticated suite of creative tools for colour grading, has been boosted with the recent introduction of version 5.0 of the core software. The benefits of render-free, collaborative workflows with Baselight will be demonstrated at … Continue reading →
Webinar: Advanced Colour Correction with Baselight & Avid
In this webinar, filmed in New York on 15 June 2016, the team from Technicolor-PostWorks NY demonstrated their advanced colour correction workflow and its creative application on series.
If you missed it, you can now watch it on-demand here…
NEW Meet The Colourist: Stuart Fyvie, Freelance Senior Colourist, London
Meet Stuart Fyvie, a freelance colourist based in London.
Stuart has worked on many film and TV productions including director Alan Rickman’s feature film staring Kate Winslet, ‘A Little Chaos’, and more recently BBC drama ‘The Rack Pack’ as well … Continue reading →
Technicolor PostWorks Provides Finishing Services for Oscar-Winning Doc “A Girl in the River”
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award® for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar® in 2012 of Saving … Continue reading →
Nice Shoes take Pink Through The Looking Glass in “Just Like Fire”
For Pink’s song “Just Like Fire”, the signature song for Disney’s new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through … Continue reading →
Broadcast Beat at NAB 2016: 4K, 8K and HDR
From Broadcast Beat:
NAB Show LIVE: 4K, 8K and HDR
Janet West hosts this panel for Broadcast Beat, including Wolfgang Lempp, Ceo of FilmLight, alongside Robert Carroll, Senior Director of Content Solutions at Dolby Laboratories, and Janet Lafleur, Senior … Continue reading →
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