Mexico’s Oxido adds on-set grading capabilities with FilmLight
Daylight allows leading Mexican facility to offer colour management from location to delivery
Oxido, one of the leading post houses in Mexico, has invested in new Daylight on-set grading systems from FilmLight. The Daylight systems have been fitted into two … Continue reading →
Television series boosted by FilmLight render-free workflow
Set-to-finish seamless integration for Germany’s Lerchenberg
The producers of the German television comedy drama series Lerchenberg have implemented a new comprehensive, render-free grading environment from FilmLight. The use of Baselight systems, not only in the grading suite but also on … Continue reading →
FilmLight marks BIRTV with strengthened presence in China
New office and local manager boosts FilmLight’s Asia strategy and aspirations
FilmLight is celebrating BIRTV 2015 (26 – 29 August, China International Exhibition Center, Beijing) with a new representative and a new office in Beijing. The company has stepped up … Continue reading →
Fifty Fifty invests in collaborative FilmLight workflows and delivers Gary Lineker documentary for BBC
Tight, renderless integration between Baselight grading suite and Baselight for Avid
Fifty Fifty, a dynamic independent post house in London, has installed Baselight PLUS, FilmLight’s complete grading solution. The package, which includes the Baselight system, Slate compact control surface and … Continue reading →
StudioDaily: Charting a Course for an Avid 4K Finish
In this article, StudioDaily gets down to the nitty gritty of the Technicolor-PostWorks Media Composer DNxHR Online Workflow for Nat Geo’s Russia’s Wild Arctic – with the grade performed on Baselight.
“It basically opens up the ability to have the … Continue reading →
postPerspective talks to Wolfgang Lempp at NAB 2015
On the show floor at NAB 2015, postPerspective caught up with FilmLight’s Wolfgang Lempp to hear more about our unique, collaborative colour pipeline – from set to screen.
GoodJob selects Baselight as their first grading system
Leading Osaka-based post house purchases Baselight and FLUX Store
GoodJob, a post house with multiple editing suites in Osaka and Tokyo, announced that it is expanding its facility with FilmLight’s grading and finishing system, Baselight, and the post-production media server, … Continue reading →
Thanks to all who visited us at NAB 2015
We had a really great time at NAB. If you didn’t manage to catch us there – or even if you did – you can still find out about what we were showing and doing…
FilmLight strengthens collaborative colour pipeline with industry-leading partners at NAB
Camera-to-screen collaboration propelled even further with Baselight and BLG
At NAB 2015, FilmLight demonstrates a total step change in the speed and versatility with which colour graded media can be produced, shared and changed – inexpensively – at every stage … Continue reading →
New top-end finishing house sees first implementation of Baselight’s latest generation of hardware
LA facility, SHED Santa Monica, built around Generation VI for optimum colour
FilmLight today announced that SHED, a new creative finishing boutique in Santa Monica, California, is the launch customer for the latest generation of Baselight multi-GPU hardware platform, which … Continue reading →
At NAB 2015: FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With … Continue reading →
Bringing Meaning to Chappie’s Colour
SKYLAB designs an integrated ACES colour workflow with FilmLight’s BLG and Baselight grading system
Leading post-house, SKYLAB (formerly Digital Film Central), recently developed an innovative new workflow to tightly integrate creative grading with both editorial and VFX for Neill Blomkamp’s … Continue reading →
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