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Yearly Archives: 2023

Graded on Baselight: Limbo

Colourist: Sebastian Guest
Facility: Terrassen Post
Release date: 12 February 2023 (TV Series)

A late-night phone call changes everything for Ebba, My and Gloria. The news that their sons have been involved in a serious car crash … Continue reading →

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Graded on Baselight: Queens of Mystery (season 2)

Colourist: Ella Soryl
Facility: Platform Post
Release date: 10 January 2023 (TV Series)

Three crime-writing sisters and their 28-year old niece use their extensive knowledge of crime to solve whodunit style murders in the picturesque English village … Continue reading →

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Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’

Article courtesy of Digital Media World

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The movie was graded on Baselight in London by colourist Adam Dolniak at Splice, who took the job as his inaugural animation project…… Continue reading →

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Modern broadcast workflows #3: Collaboration in modern post-production

Article courtesy of Broadcast

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The final instalment of our series on modern broadcast workflows examines how departments can work together across the post-production workflow…… Continue reading →

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Doug Delaney on Colour Grading Animated Film Entergalactic

Article courtesy of postPerspective

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Delaney handled the colour grading on the Netflix animated special Entergalactic – a music television special created by American musician and actor Kid Cudi.… Continue reading →

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NAB. Las Vegas. April 15-19, 2023

Join us at NAB

April 15-19, 2023

Meeting Room #W2574 – West Hall

If you are interested in scheduling a 1:1 meeting, checking out the new tools under development in Baselight, or learning more about cloud technology, contact your local … Continue reading →

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Modern broadcast workflows #2: IT in modern broadcast

Article courtesy of Broadcast

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The second instalment of the FilmLight series takes a look at IT systems in post-production…… Continue reading →

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Colour in modern broadcast post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
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IT in modern broadcast

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
Posted in Modern Broadcast Workflows, News Articles | Leave a comment

Collaboration in modern post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
Posted in Modern Broadcast Workflows, News Articles | Leave a comment

His Dark Materials S3: The Grade

Article courtesy of UK Screen Alliance

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Picture Shop Colourist Sam Chynoweth, graded the series in UHD SDR and HDR using FilmLight’s Baselight…… Continue reading →

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Bringing colour to Bardo, False Chronicle of a Handful of Truths

Article courtesy of British Cinematographer

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The 2023 Oscar-nominated movie, Bardo, False Chronicle of a Handful of Truths, was graded on Baselight at Harbor in Los Angeles, by colourist Damien Vandercruyssen…… Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

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e: [email protected]

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