Yearly Archives: 2024

FilmLight appoints Restar Communications in Japan
Japanese reseller to add high-end colour grading solutions to product portfolio
FilmLight has appointed Restar Communications Corporation as its local reseller in Japan, with immediate affect. The new partnership strengthens FilmLight’s presence in Japan...

Sexy Beast: Anatomy of a Grade in 02’27”
Article courtesy of Televisual
Sexy Beast: Anatomy of a Grade in 02’27” from Ross Baker, Head of Grading, Molinare…… Continue reading →

Celebrating Look & Colour during the Berlinale. Wednesday 21 February
Look development goes hand-in-hand with the visual identity of a film, making it an essential step for cinematographers and their teams.
An exclusive day for cinematographers, colourists, DITs and more. Brought to you by Rotor Film, WeFadeToGrey, Vantage … Continue reading →

Graded on Baselight: Berluti ‘Holiday Scenes’
Colourist: Dan Moran
Facility: Dan Moran Colour
Director: GoshDamn Duo
Graded on Baselight 6.0.
Watch now:
… Continue reading →

Graded on Baselight : The Zone of Interest
Colourist: Gareth Bishop
Facility: Dirty Looks
Release date: 25 January 2024
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to … Continue reading →

Graded on Baselight : Sexy Beast
Colourist: Ross Baker
Facility: Molinare
Release date: 25 January 2024 (TV Series)
With their reputation growing across London, thieves Gal and Don are recruited by renowned criminal boss Teddy Bass for a high-stakes job. But as they … Continue reading →

Graded on Baselight : Griselda
Colourist: Ian Vertovec
Facility: Light Iron
Release date: 25 January 2024 (TV Mini Series)
Fleeing from Medellín to Miami, Griselda Blanco creates one of the most ruthless cartels in history.
Watch the trailer now:
… Continue reading →
Graded on Baselight : The End We Start From
Colourist: Paul Ensby
Facility: Picture Shop
Release date: 19 January 2024 (UK)
A woman tries to find her way home with her newborn while an environmental crisis submerges London in floodwaters.
Watch the trailer now:
… Continue reading →
Whetting the Palette: Colouring The Taste of Things
Article courtesy of ASC
Colorist Yov Moor helps cinematographer Jonathan Ricquebourg, AFC set the visual table for this romantic slice of culinary cinema…… Continue reading →

Baselight colour grade brings cinematic realism to ‘A Piece of Sky’
Article courtesy of Digital Media World
Timo Inderfurth graded A Piece of Sky, Best Film award winner at the 2023 Swiss Film Awards, playing a central role in the visual atmosphere of this story set in the … Continue reading →
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