Yearly Archives: 2025
FilmLight introduces REMOTE
FilmLight REMOTE delivers high-quality, low-latency remote grading
FilmLight has announced the introduction of FilmLight REMOTE, a singular solution for remote colour grading, providing post-houses and colourists with the ability to work remotely without sacrificing the high-quality and low-latency monitoring that … Continue reading →
Micro Salon. Paris. Friday February 7
Friday February 7, 11am
Parc Floral de Paris
Rencontre créative : Dans les coulisses de Saint-Ex
FilmLight sera au Micro Salon à Paris le 7 Fevrier à 11h et vous invite à une rencontre avec Pablo … Continue reading →
Colour Talks. Brussels. Thursday January 23
Thursday January 23
Cinema Palace / 85 Boulevard Anspach, 1000 Brussels
Brought to you by FilmLight & Sondr
6:00pm / Doors open
6:30pm / Presentations followed by drinks
Refining colour grading workflows with Baselight 7 and machine-learning algorithms… Continue reading →
The Penguin: Honouring the look of The Batman
Article courtesy of postPerspective
If you’ve seen the show, you’ve likely noticed its distinctive look, part of which could be attributed to The Penguin’s color grading, which was overseen by Picture Shop’s supervising DI colorist… Continue reading →
Graded on Baselight: One Hundred Years of Solitude
Colourist: Esther Rivas
Facility: Oxido
Release date: 11 December 2024 (TV Series)
In the timeless town of Macondo, seven generations of the Buendía family navigate love, oblivion and the inescapability of their past and their fate.
Watch the … Continue reading →
Light Iron selects Nara
Article courtesy of Digital Cinema Report
Light Iron has selected Nara for its New York and Los Angeles facilities – streamlining its workflow solution and accessibility across sites from dailies through to finishing.… Continue reading →
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