17-18 November
Toruń, Poland
2024 FilmLight Colour Awards Winners Ceremony
On Sunday 17th November at 4pm, FilmLight is hosting the 2024 Colour Awards Ceremony at EnergaCAMERIMAGE in Toruń, Poland in the seminar room at CKK Jordanki.
You’ll get to hear from the talent behind the looks before this year’s winners are revealed by the jury president, DoP Mandy Walker, AM, ASC, ACS.
Register via the EnergaCAMERIMAGE website when the festival opens, here.
Find out all about this year’s nominees »
Winners Drinks Reception
The ceremony will be followed by a drinks reception between 5.30-8.00pm at Artystyczna, located in the EnergaCAMERIMAGE festival Centrum (CKK Jordanki).
To be included on our guest list for the drinks reception, register here.
Two-Part Seminar Discussion
FilmLight is also hosting a two-part talk with special guests on Monday 18th November at 11am, in the Seminar Room at CKK Jordanki:
Part one: Look development in documentary filmmaking
- James Kersley-Cregeen – Production Technologist, Netflix
- Ross Baker – Head of Colour, Molinare
- Jack Jones – Senior Colourist & Co-owner, Roundtable Post
- Daniele Siragusano – Image Engineer, FilmLight
With studios, broadcasters, and filmmakers increasingly pushing expectations of the ‘look’ and visual language of documentary filmmaking, it is essential to ensure that creative stakeholders are aligned as soon as possible throughout production and post.
However, many productions are still encountering inconsistencies in colour-managed processes, with inefficient workflows that lead to detrimental effects on creative outcomes for the production and that impact satisfaction of key talent with the final result.
Our panel examines some of the best practices that can enable creative exploration and provide early creative alignment, and discuss some of the challenges unique to documentary filmmaking.
Part two: Using trained algorithms in interactive colour grading
There is a lot of hype about AI in the colour grading suite. But which algorithms are practically usable for the big screen right now, and how far can we push these new algorithms before they fall apart?
FilmLight’s Daniele Siragusano will critically inspect the possibilities, strengths and weaknesses of a new class of trained image processing algorithms – all in the context of interactive, client-attended colour grading for high-end motion pictures.
Register for this discussion via the EnergaCAMERIMAGE website when the festival opens, here.
