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C+T: DoP Heads Up – From Production to Finish
From C+T:
DoP Heads Up – From Production to Finish
Wolfgang Lempp, CEO and co-founder, FilmLight, reports.
Movies and high quality television programmes are now routinely shot with digital cameras, and completed with a range of extremely powerful post-production … Continue reading →
Technicolor PostWorks creates colour for Café Society
Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing
Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which … Continue reading →
Graded on Baselight: Suicide Squad
Facility: SHED
Colourist: Yvan Lucas
Release date: 5 August, 2016 (USA)
A secret government agency recruits imprisoned supervillains to execute dangerous black ops missions in exchange for clemency.
Watch the trailer:
Graded on Baselight: The Infiltrator
Facility: LipSync Post
Colourist: Sam Chynoweth
Release date: September 16, 2016
As featured in August’s American Cinematographer.
A U.S. Customs official uncovers a money laundering scheme involving Colombian drug lord Pablo Escobar. Starring Bryan Cranston.
Graded on Baselight: Star Trek Beyond
Facility: Deluxe’s EFilm
Colourist: Tom Reiser
Release date: Out now
Read more about the grade in August’s American Cinematographer – click here to view the article.
The USS Enterprise crew explores the furthest reaches of uncharted space, … Continue reading →
Meet The Colourist: Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY
Meet Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY.
Anthony Raffaele began his career with Nice Shoes in 2001 and joined Deluxe in 2009. Now at Technicolor PostWorks, Anthony is one of the most sought-after colourists in the city, recently working … Continue reading →
Graded on Baselight: The Fall
Facility: Molinare
Colourist: Chris Rodgers
Release date: July 29, 2016
In an original Sky Atlantic documentary, former track and field athletes Mary Decker and Zola Budd are reunited for the first time since their controversial encounter at … Continue reading →
The Legend of Tarzan creates unique 3D and colour collaboration
Prime Focus and Technicolor join forces using FilmLight’s BLG workflow to ensure director can see completed grades throughout stereo conversion process
Director David Yates wanted a big, expansive feel for his fresh take on the Edgar Rice Burroughs classic, The … Continue reading →
Graded on Baselight: No Man Left Behind
Facility: blue 2.0
Colourist: Kevin Horsewood
Release date: June 28, 2016 (National Geographic Channel, USA)
Stranded in Enemy Territory, Hunted by hostile forces. And yet they made it back home. This visceral new series for National Geographic … Continue reading →
postPerspective: Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
From postPerspective:
Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
After watching Mr. Robot when it premiered on USA Network last year, I changed all of my computer passwords and added a degree of difficulty that I’m … Continue reading →
Graded on Baselight: Ghostbusters
Facility: Deluxe
Colourist: Jill Bogdanowicz
Release date: 15 July, 2016 (USA)
30 years after Ghostbusters took the world by storm, the beloved franchise makes its long-awaited return. Director Paul Feig brings his fresh take to the supernatural … Continue reading →
Graded on Baselight: Mr Robot Season 2
Facility: Deluxe’s Encore
Colourist: Laura Jans-Fazio
Release date: 13 July, 2016 (USA)
Mr. Robot follows Elliot, a young programmer who works as a cyber-security engineer by day and a vigilante hacker by night.
Watch the trailer for … Continue reading →
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