Author Archives: admin
Graded on Baselight: Cafe Society
Facility: Technicolor PostWorks
Colourist: Anthony Raffaele
Release date: 15 July, 2016 (USA)
Set in the 1930s, a young Bronx native moves to Hollywood where he falls in love with the secretary of his powerful uncle, an agent … Continue reading →
Graded on Baselight: The Legend of Tarzan
Facility: Technicolor
Colourist: Peter Doyle
Release date: 1 July, 2016 (USA)
Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.
Watch … Continue reading →
Meet The Colourist: Beau Leon, Lead Colourist, Framestore, Los Angeles
Meet Beau Leon, Lead Colourist at Framestore, Los Angeles.
Beau joined Framestore in October 2015. His appointment marked the opening of the LA colour studio, adding further creative firepower to Framestore’s West Coast operation.
You can read the full interview … Continue reading →
FilmLight demonstrates extended grading creativity at Expo Cine
The Baselight environment, already the most sophisticated suite of creative tools for colour grading, has been boosted with the recent introduction of version 5.0 of the core software. The benefits of render-free, collaborative workflows with Baselight will be demonstrated at … Continue reading →
Webinar: Advanced Colour Correction with Baselight & Avid
In this webinar, filmed in New York on 15 June 2016, the team from Technicolor-PostWorks NY demonstrated their advanced colour correction workflow and its creative application on series.
If you missed it, you can now watch it on-demand here…
NEW Meet The Colourist: Stuart Fyvie, Freelance Senior Colourist, London
Meet Stuart Fyvie, a freelance colourist based in London.
Stuart has worked on many film and TV productions including director Alan Rickman’s feature film staring Kate Winslet, ‘A Little Chaos’, and more recently BBC drama ‘The Rack Pack’ as well … Continue reading →
Technicolor PostWorks Provides Finishing Services for Oscar-Winning Doc “A Girl in the River”
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award® for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar® in 2012 of Saving … Continue reading →
Nice Shoes take Pink Through The Looking Glass in “Just Like Fire”
For Pink’s song “Just Like Fire”, the signature song for Disney’s new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through … Continue reading →
Broadcast Beat at NAB 2016: 4K, 8K and HDR
From Broadcast Beat:
NAB Show LIVE: 4K, 8K and HDR
Janet West hosts this panel for Broadcast Beat, including Wolfgang Lempp, Ceo of FilmLight, alongside Robert Carroll, Senior Director of Content Solutions at Dolby Laboratories, and Janet Lafleur, Senior … Continue reading →
The Foundry’s roving report NAB 2016: FilmLight
From The Foundry:
The Foundry’s roving report NAB 2016: FilmLight
“Heard us talking about Baselight for NUKE? Find out what’s new for FilmLight this year.”
postPerspective: NAB 2016 – FilmLight’s Peter Postma
From postPerspective’s YouTube Channel:
NAB 2016: FilmLight’s Peter Postma
“FilmLight America’s managing director, Peter Postma, walks us through what was new from the company at NAB 2016 in terms of its Baselight 5.0, including HDR grading support, remote grading, … Continue reading →
Studio Daily: Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
From Studio Daily:
Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight’s focus away from the traditional lift/gamma/gain methods … Continue reading →
Press Contact
Recent Posts
Categories
- Events
- FilmLight Colour Awards
- FilmLight Colour Awards 2022
- Graded on Baselight
- In The Press
- Meet The Colourist
- News Articles
- Press Releases
