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3sixtymedia installs Baselight and 20 Baselight for Avid seats
Broadcast post facility integrates grading for a more efficient premium television workflow
3sixtymedia, which provides post-production, creative services and studio crewing for broadcast productions in the north of England, has added a Baselight TWO colour grading system with Blackboard control … Continue reading →
TV-Bay: Fixing It in Parallel
From #97 of the TV-Bay Kitplus magazine (January 2015)…
Fixing it in parallelDaniele Siragusano, Workflow Consultant, FilmLight
Whenever something went wrong in television production, the cry was always “We’ll fix it in post”. Except that there was rarely enough … Continue reading →
2015 Golden Globes – The Winners
Congratulations to all the nominees – and winners – at last weekend’s Golden Globe awards. Of course, we’re particularly proud of the Baselight productions…
‘The Theory of Everything’, graded by Peter Doyle for Technicolor, scored a BEST ACTOR IN A … Continue reading →
The Broadcast Bridge: Molinare Grades Dailies for BBC Esio Trot
“It was the first time we had done this. The show had a permanent pair of human eyeballs instead of predefined LUTs applied arbitrarily.”
Find out about the dailies grading process that London facility Molinare devised for Esio Trot, … Continue reading →
35th London Critics’ Circle Film Awards
The countdown to the annual London Critics’ Circle Film Awards has begun. Baselight was well-represented with nominees in FILM OF THE YEAR, FOREIGN LANGUAGE FILM OF THE YEAR, BRITISH FILM OF THE YEAR and DOCUMENTARY OF THE YEAR.
Leading the … Continue reading →
postPerspective: Quick Chat with FilmLight co-founder Wolfgang Lempp
From Randi Altman’s postPerspective – PostPerspective talks to our Wolfgang Lempp about R&D priorities, broadening DI toolsets and more…
Quick Chat with Wolfgang LemppIn what has become a semi-regular column here at postPerspective, we have taken to doing short … Continue reading →
ICG Magazine: World of Color
Digital color correction is the now the global standard. But there are many subtle aesthetic differences beyond the post suites of Hollywood.
In this article from ICG Magazine, Pauline Rogers talks to a range of highly talented and well-respected colour-correction … Continue reading →
Swiss broadcaster RTS doubles grading capacity for television productions with additional Baselight
Radio Télévision Suisse (RTS), the French-language public broadcaster in Switzerland, has added a Baselight ONE system with Slate control panel to handle its in-house productions. Headquartered in Geneva, RTS produces a wide variety of news, sport, entertainment and documentary television … Continue reading →
FilmLight’s renderless, collaborative colour pipeline on show at SATIS 2014
Productivity and creativity for television production
FilmLight will use the 2014 SATIS exhibition (Portes de Versailles, Paris, 18 – 20 November) to demonstrate how sophisticated, highly cost-effective colour grading can be used to both improve the look and speed up … Continue reading →
FilmLight end-to-end 4K workflows at Inter BEE 2014
Demonstration of fully-featured grading and finishing at high frame rate 4K
With the Japanese market moving rapidly towards advanced television formats, FilmLight will show its total pipeline solution at Inter BEE 2014 (Makuhari Messe, Chiba City, Japan, 19–21 November). Innovative … Continue reading →
Congratulations to the ASC CDL team
At last Friday’s HPA Awards, the American Society of Cinematographers: Color Decision List (ASC CDL) picked up the prestigious HPA Judges Award for Creativity and Innovation in Post Production.
From left to right, the ASC CDL team: Greg Ciaccio, Peter … Continue reading →
FilmLight Discusses Colour from Set to Screen at Camerimage 2014
Daniele Siragusano, FilmLight’s workflow specialist, leads session on productive and creative workflows
FilmLight today announced that it will host a workshop entitled ‘BLG: Colour from Set to Screen’ at Camerimage 2014, the International Film Festival of the Art of Cinematography … Continue reading →
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