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FilmLight expands US presence with the appointment of Key Code Media
FilmLight, the leading color grading and workflow specialist, has strengthened its sales channel in the US with the appointment of Key Code Media, the world’s largest Avid reseller and integrator.
Key Code Media will be responsible for sales and … Continue reading →
Vision On adds color with FilmLight
CineSys Oceana supplies Baselight ONE with Blackboard panel for expanded grading department
Specialist New York post house, Vision On, has added a Baselight ONE color grading system from FilmLight in response to client demands for one-stop finishing. Vision On … Continue reading →
FilmLight strengthens Middle East reseller network with appointment of Media Group International
FilmLight, the leading colour grading and workflow specialist, has strengthened its sales channel in Qatar and the wider Gulf regions with the appointment of Media Group International (MGI), a leading independent media systems integrator headquartered in Doha.… Continue reading →
FilmLight strengthens presence in Far East
Opens office in Tokyo for sales, localisation and support; exhibits at InterBEE 2013
As part of its programme to ensure consistently high standards of service to its professional users worldwide, FilmLight has opened an office in Tokyo and appointed … Continue reading →
FilmLight offers a new integrated colour grading option for facilities with Baselight PLUS
Simple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading colour grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised … Continue reading →
Digital Media World: A Hero’s Post
Nvizible VFX studio and Molinare post production joined forces on the post for ‘Kick-Ass 2’, giving the movie an exciting cinematic look. The film was graded on Molinare’s Baselight EIGHT grading system by Asa Shoul.
“In the studio, I … Continue reading →
FilmLight broadens colour grading capabilities within Avid
Windows version of Baselight for Avid now available
With the demand for perfect colour control now everywhere in the professional post workflow, FilmLight is taking another important step forward with the launch of its Windows version of Baselight for … Continue reading →
Cluster Studio adds FLUX Store from FilmLight
Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost … Continue reading →
FilmLight gets closer to users in Germany
Two new resellers add to local representative to serve all markets
FilmLight, the leading colour grading and workflow specialist, has strengthened its sales channel in Germany with the appointment of two resellers. creative tools will look after the northern part … Continue reading →
Ncam Real-time Camera Tracking and Augmented Reality – Booth 7.F31
Virtual Studio and Virtual Production for Live Broadcast, TV, Commercial and Film Production
To deliver outstanding support across a range of applications, Ncam will be demonstrating real-time visualisation of immersive 3D/CG graphics content in-camera while shooting.
Using its markerless camera … Continue reading →
Portomídia puts Baselight at the heart of creative initiative
Digital hub in Recife launches post-production training and finishing facility and selects FilmLight technology for unrivalled power and workflow simplicity
Portomidia – a new initiative in Recife, Brazil – is to install a FilmLight Baselight FOUR colour grading and … Continue reading →
Elysium Gains Momentum
With only one more day until its UK release date, you can find out about the complete ACES workflow used in Elysium in the Below the Line online magazine.
As the post facility for Neill Blomkamp’s new movie Elysium… Continue reading →
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