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FilmLight at Dimension3 Festival 2013
Latest colour management solutions on display in Paris from 18-19 June
FilmLight will be demonstrating how its award-winning colour grading software and colour management systems can provide a ‘colour pipeline’ at every stage of production at the Dimension3 festival … Continue reading →
Restoring Richard III: VistaVision to 4K
Another great article on the restoration of Richard III, the 1955 film adaptation of the Shakespearean play directed by Laurence Olivier.
The exhaustive project was finished by Colorworks, Sony Pictures’ digital intermediate facility, with grading, conforming, DCP mastering … Continue reading →
Camera D’Or winner graded on Baselight at Technicolor Bangkok
This year’s Camera D’Or prize at Cannes went to the film Ilo Ilo, directed by Anthony Chen. It’s the first Singaporean film to win a major award at the Cannes Film Festival, and it was graded on Baselight TWO … Continue reading →
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
Latest solutions on display in Mexico from 04-07 June 2013
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading … Continue reading →
Screen Magazine: Baselight Provides the ‘Vampire Feel’ for Filmworkers and Vitamin
Filmworkers and Vitamin recently provided visual effects and post-production services for a new, national spot about a family of vampires who learn to love mornings thanks to Kellogg’s Nutri-Grain. Colour grading was performed in Baselight, giving the spot a … Continue reading →
FilmLight Kicks-Off Six City European Tour
Latest solutions on display in Amsterdam, Brussels, Cologne, Hamburg, Berlin and Munich
FilmLight will be demonstrating its latest products and developments in six cities throughout Europe, from 14 May – 11 June 2013. The tour will demonstrate how its … Continue reading →
Post FactoryNY Upgrades to Baselight TWO from FilmLight
New York based facility adds Baselight TWO to state-of-the-art screening room
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight … Continue reading →
Colorworks Aids in 4K Restoration of Richard III
Find out how Colorworks, Sony Pictures’ digital intermediate facility, finished an exhaustive restoration Richard III, the 1955 film adaptation of the Shakespearean play directed by Laurence Olivier.
Grading, conforming, DCP mastering and Blu-ray mastering were completed on a … Continue reading →
Hong Kong’s Pixel Box celebrates 5th year with new Shanghai facility
“The move is part of our progressive growth for 2013; our investment into Shanghai with a superior product like Baselight is to offer something different in the market. To deliver incredible fast performance on demanding commercials, the ability to … Continue reading →
Red Echo Post Expands Service Offering with FilmLight’s Baselight
Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a … Continue reading →
Managing Colour with FilmLight
Mark Burton discusses colour management and the transformation in workflows in the latest edition of In Broadcast.
“With today’s high-resolution digital cameras consistency is not the issue, but directors and DoPs still see colour grading as a critical part … Continue reading →
Wolfgang Lempp talks to Post TV at NAB
Wolfgang talks about the evolution of the Baselight colour grading system, as well as FilmLight’s recent product developments, including the deskside version of Baselight ONE, the Slate control surface, FLIP and Baselight Editions for Avid.
You can watch the … Continue reading →
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