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A Colourist’s Perspective: Putting Post into Production
Chris Rodgers, colourist and Baselight user, to discuss the changing production workflow at BVE London 2013 Chris Rodgers, colourist at Splice and Baselight user, will be presenting in the post-production theatre at BVE London 2013, Excel Exhibition Centre, on Wednesday … Continue reading →
Studio Daily: Nice Shoes Colourist Chris Ryan on “Asad”
Asad, nominated for Live Action Short Film in this year’s Oscars, is about the struggles of a young Somali refugee. The film was a new direction for director, Bryan Buckley, and for the young refugee stars who had never … Continue reading →
Tropfest 2013: Trailer Post-produced by Cutting Edge
Tropfest, held in Australia every year, is the world’s largest short film festival.
Watch the ‘Making Of’ the trailer here (including a lovely shot of Baselight/Blackboard at work at Cutting Edge):
[youtube=http://www.youtube.com/watch?v=cnG01FrwCu4&w=500]
And you can see the finished trailer … Continue reading →
Belle – first UK feature film shot in native 4k – graded on Baselight
F65 used for Belle
‘Belle’ will in all likelihood be a fairly high profile UK debut for the format. The third project backed by Pinewood Films, the relatively recent offshoot of the famous studio complex, it is directed by BAFTA … Continue reading →
GRUNDYUFA Adopts New Workflow with FilmLight FLIP
See also: Watch A Look at FLIP or read the GrundyUFA Case Study.
– On-set preview system improves quality, speed and saves time and money during the production of daily dramas –
GrundyUFA, the largest producer of original television … Continue reading →
Post Magazine: Colorworks readies ‘Fresh Guacamole’ for Academy consideration
“Colorworks (www.sonypictures.com) provided post services for a new animated short from writer/director PES that was recently short-listed for Academy Award consideration.”
That means Baselight – find out more at Post Magazine.… Continue reading →
Screen: Filmworkers Nashville uses Baselight for Faith Hill’s “American Heart”
“Our overall objective was to make it look patriotic and beautiful.”
Cadenas
Read the full article in Screen magazine online. You can watch the end result below:
[youtube=http://www.youtube.com/watch?v=o1BGRqz9l2o&w=500]
Congrats to Jean-Clement Soret – this year’s British Arrows Best Colourist
The 2012 British Craft Awards were held last Monday night in London.
Five out of the six nominations for Best Colourist were on Baselight, including this year’s Gold Winner – Jean-Clement Soret from MPC, for his work on British Airways … Continue reading →
The Man With The Iron Fists – Graded on Baselight
Presented by Quentin Tarantino and marking the directorial debut of RZA from Wu Tang Clan, action-adventure The Man With The Iron Fists evokes the spirit of classic martial arts films.
Graded on Baselight at Sony Pictures Entertainment’s digital intermediate facility, … Continue reading →
Hollywood’s New Wave Entertainment Upgrades Post-Production Operations with Baselight
New Wave Entertainment, Hollywood’s premier entertainment marketing company, has enhanced its post-production operations through the purchase of a Baselight TWO colour grading system from FilmLight. New Wave plans to use its new Baselight primarily for grading television spots promoting new … Continue reading →
Encore: Baselight Helps Hollywood Facility Reinvent Television Post-Production for the Digital Age
Encore is one of the busiest full-service post-production facilities in Hollywood. Part of Deluxe Entertainment Services Group, the company has built its reputation primarily through its work in episodic television. It services such shows as Fringe, Glee, Justified, … Continue reading →
The Mill launches Baselight remote grading facility with NHB Germany
The Mill have just announced the launch of a remote grading facility with NHB Germany, a post-production house who work with some of the biggest advertising agencies and film production companies in Germany.
The collaboration will utilise the Baselight colour … Continue reading →
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