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FilmLight at IBC 2012
Unique Pipeline for managing colour from script to screen.
At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on … Continue reading →
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ … Continue reading →
FLIP demonstration now available online
FLIP provides on-set preview of live camera output with real-time application of LUTs and looks.
Looks which are developed in the grading theatre during test-shoots can be imported into FLIP, previewed with live footage and then further refined on-set using … Continue reading →
FilmLight announces Baselight ONE ‘ACCESS’ package
Industry leading grading and finishing system at less than US$50K
FilmLight is helping boutique post-production facilities to step up to high-end colour grading by offering its award-winning Baselight system at the lowest price ever. The Baselight ONE ACCESS package can … Continue reading →
Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s Baselight
In a move to significantly improve and expand its services, Burbank post-production facility FILMLOOK Media and Post has purchased a Baselight colour grading system from FilmLight. The new system, which includes FilmLight’s revolutionary Blackboard 2 control panel, allows FILMLOOK, for … Continue reading →
Want to find out more about the Baselight Grade file?
Watch our video tutorial to find out more about the BLG – or Baselight Grade – file.
You can also take a listen to the fxguide podcast for an in-the-field discussion of FLIP and the … Continue reading →
Queen’s Award – Financial Times profiles FilmLight
The Queen’s Awards for Enterprise are highly prestigious awards for outstanding achievement by UK businesses in the categories of Innovation, International Trade and Sustainable Development. The awards are made annually by HM The Queen, and are only given for the … Continue reading →
Baselight for Avid Media Composer @ NAB
Baselight Editions make the world’s most powerful colour grading toolset directly available to editors and VFX artists and provide the tightest integration between grading, editorial and VFX available.
At NAB, we previewed Baselight for Avid Media Composer, another product which … Continue reading →
FilmLight adds new products and demonstrates end-to-end colour pipeline solution at NAB 2012
At NAB 2012, FilmLight will underscore the central role colour occupies in file-based film and television workflows by demonstrating innovative solutions for seamlessly managing and manipulating colour at every stage in the production pipeline.
In an NAB first, FilmLight will … Continue reading →
FilmLight Releases Major Baselight Upgrade
FilmLight, designers of Baselight, the world’s leading colour grading system, today announce the release of Baselight 4.3 with a host of powerful new features, introducing a unique “Triple-Head Display”, and representing a generational leap forward in responsiveness, flexibility and productivity.… Continue reading →
Recent reviews received for Baselight for Final Cut Pro
The first reviews for Baselight for Final Cut Pro have been flowing in. Follow these links to see what people have to say about our latest offering.
“I personally believe that it’s a remarkable plugin, and … Continue reading →
FilmLight Releases Baselight for Final Cut Pro
FilmLight today announces the release of Baselight for Apple Final Cut Pro 7. This brings the power and accuracy of the world’s best colour grading system right into the heart of an edit suite.
Designed for editorial houses, post-production facilities, … Continue reading →
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