Author Archives: admin

Warner Bros. MPI, under the direction of senior colorist Jan Yarbrough, recently completed a challenging restoration on ‘The Ten Commandments’ for Paramount.

The restoration was completed using Baselight, and released for the production’s 55th anniversary.

You … Continue reading →

At NAB 2011, FilmLight today announces that Spice Shop, Bangkok, has become the first post-production facility worldwide to purchase its new Blackboard 2 control surface for Baselight. Unveiled for the first time at NAB on Monday, Blackboard 2 represents an … Continue reading →

Sean McKee, Director of Restoration & New Technology at Point.360 Digital Film Labs, will be giving a technology preview of the soon-to-be released Visionary™ Archive system in the FilmLight hospitality suite—the Paramount Room at the Renaissance Hotel. Demonstrations will … Continue reading →

Furthering its position as the industry’s innovation leader, FilmLight is debuting several new colour grading technologies at NAB … Continue reading →

At NAB 2011, FilmLight launches Blackboard 2, an entirely new control surface for its award-winning Baselight colour grading system. The unique and revolutionary design of Blackboard 2 promises to transform high-end finishing for feature … Continue reading →

At NAB 2011, FilmLight is previewing a new Baselight colour grading plugin for Apple® Final Cut Pro®. The plugin is aimed primarily at smaller editorial and post-production facilities, … Continue reading →

In a significant boost to its colour grading services for commercials, Soho post-production company UNIT has purchased a Baselight HD colour grading system from FilmLight. The new grading system … Continue reading →

Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and FilmLight, a developer of film scanning, color grading and color management technology, today announced a … Continue reading →

Sony has recently restored Taxi Driver for its 35th anniversary. The restoration used Sony’s Baselight EIGHT and Baselight FOUR systems as part of the process to digitally restore and re-master the film to 4K, for a limited 4K theatrical release … Continue reading →

Wanting to offer a more sophisticated service to existing clients, as well as opening itself up to a broader market, Glassworks Amsterdam, the country’s leading visual effects post house, has invested in a Baselight HD colour grading system from Film… Continue reading →

Spring Studios, one of Europe’s premiere photographic studios, has purchased a Baselight colour grading system from FilmLight as part of its ongoing diversification … Continue reading →

The King’s Speech, this year’s winner of the Academy Award for Best Picture, went through final DI grading on Baselight at the post house Molinare in London. The project reunited DI colourist Gareth Spensley and Director Tom Hooper (the … Continue reading →