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Baselight and Avid at work on ‘Jamie Oliver’s 30-Minute Meals’
From acquisition to delivery, Baselight and Avid® provide the modern post-production facility with a total solution for file-based workflows.
Baselight’s editing integration enables truly collaborative non-linear grading within an Avid non-linear editing environment.
Watch Chris Rodgers from Splice discussing the … Continue reading →
One More Production for Baselight
In a move to extend its post-production and grading capabilities, Paris-based visual effects studio, One More Production, has invested in a Baselight colour grading system from Film… Continue reading →
FilmLight upgrades the power of Baselight
FilmLight today announced the release of the latest version of its award-winning Baselight colour grading system. Baselight 4.2 is now available for … Continue reading →
Cincinnati’s Red Echo Post Adds Colour Grading Service via FilmLight’s Baselight
Cincinnati, Ohio post house Red Echo Post has acquired a Baselight colour grading system from FilmLight to serve as the centrepiece of its newly-formed Rage & Color division. In adding colour grading via Baselight to its existing editorial, graphics, animation … Continue reading →
Filmworkers Upgrades Colour Grading Resources with FilmLight’s Baselight
Filmworkers, one of the United States’ leading providers of colour grading and other final post production services, has made a multi-million dollar investment … Continue reading →
FotoKem Selects Baselight for New Post-production Facility in Budapest
FilmLight today announced that FotoKem has installed Baselight EIGHT and Baselight HD colour grading systems at its newly-built post production facility in Budapest. The systems will anchor two Digital Intermediate theatres with Baselight EIGHT used for 2K/4K grading of … Continue reading →
Box Motion Adds FilmLight Northlight and Baselight
Box, the New York photographic studio founded by legendary fashion photo retoucher Pascal Dangin, has purchased a FilmLight … Continue reading →
Hollywood’s Chainsaw Adds Second Baselight
FilmLight today announced that Chainsaw, the award-winning Hollywood post-production facility, has taken delivery of its second Baselight colour grading system. The company will use … Continue reading →
Baselight HD moves into The Refinery
Responding to a surge in client demand for the highest-quality digital film grading, full-service South African post-production facility The Refinery has invested in a Baselight HD colour grading system from FilmLight. The grading tool for commercials, broadcast and DI, … Continue reading →
MPC becomes first company to invest in new Truelight 3D Player
MPC, the leading global post-production and visual effects facility, has become the first company worldwide to invest in FilmLight’s new Truelight 3D player. Launched at … Continue reading →
FilmLight announces distribution of Point.360 IVC’s Visionary Archive at IBC 2010
FilmLight, the leading manufacturer of film scanning, colour grading and colour management systems, has announced a partnership to provide distribution of Point.360 IVC’s revolutionary Visionary™ Archive technology to all countries outside of the United States.
Visionary™ Archive is based … Continue reading →
Restoration projects in the news
The FilmLight product range provides a complete solution for high-end restoration projects.
Read about two recent restoration projects that utilised the Northlight scanner and the Baselight colour grading system.
Editor’s Guild: The African Queen
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