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American Cinematographer: An Old Soul – Baselight adds the ‘finishing touches’ to Benjamin Button
FilmLight’s Baselight EIGHT was recently used to create the 2K DI for one of the year’s most eagerly anticipated feature films – THE CURIOUS CASE OF BENJAMIN BUTTON.
As featured in American Cinematographer magazine, read the full article by … Continue reading →
Mill TV Taps Baselight to Work Magic for BBC’s “Merlin”
The legendary kingdom of Camelot, complete with its fire-breathing dragons, winged griffins, sword-wielding knights and “youthful” sorcerer, is brought magically to life in Merlin, a new family-oriented drama produced by Shine for the BBC. The show, which tells the … Continue reading →
London’s Evolutions Adds Baselight as Part of £1 million Upgrade
Evolutions, the largest independent post-production facility in the UK, has purchased a Baselight HD colour grading system and upgraded its existing Baselight FOUR from FilmLight as part of a new £1 million expansion. The system will be installed in … Continue reading →
FilmLight’s Baselight Grades for Godfather DVD and Blu-ray Release
FilmLight’s Baselight colour grading system recently played a crucial role in the restoration of The Godfather and The Godfather, Part II and the creation of a new Digital Intermediate of the Director Cut of Part III for Paramount Home … Continue reading →
Visual Impact Adds Baselight to South African Operations
Visual Impact, a supplier of professional broadcast technology with offices in UK, Europe and South Africa, has purchased a Baselight HD colour grading system from FilmLight for use at its Visuals HDHUB facility in Cape Town. The new Baselight … Continue reading →
Slovenia’s Restart Production Adds FilmLight’s Northlight 2
Restart Production, a post-house in located in Ljubljana, Slovenia has purchased a Northlight 2 2K|4K film scanner from FilmLight. The company, which provides film restoration, digital intermediate and … Continue reading →
Berlin’s PostFactory Chooses FilmLight’s Baselight and Truelight for New DCI-Compliant Grading Theatre
PostFactory, Berlin, has added digital intermediate colour grading for feature films to its service offering through the purchase of a Baselight HD system from FilmLight. They system will be installed in an all-new DI grading theatre, purpose built to … Continue reading →
Amsterdam’s Filmmore Expands Feature Grading with New Baselight Purchase
Seeking to capitalise on the current boom in Dutch film and television production, Amsterdam-based post-house Filmmore has purchased three new Baselight colour grading systems from FilmLight.
In 2002, Filmmore, then known as 50 … Continue reading →
FilmLight and Aaton Forge Strategic Partnership to Introduce Revolutionary 4K Film Recorder
FilmLight, a developer of film scanning, colour grading and colour management technology, has formed a strategic partnership with France’s Aaton, a pioneering manufacturer of motion picture equipment, to market the new AatonK 2K|4K ultra … Continue reading →
Baselight at IBC: The Non-linear Revolution Arrives in Commercials Grading
At the upcoming International Broadcast Convention (IBC) in Amsterdam, FilmLight will demonstrate a series of groundbreaking enhancements to Baselight, the industry’s leading non-linear colour grading system. They include Parallel … Continue reading →
FilmLight Appoints Fred Medina as V.P. of Sales for the (US) West Coast
As part of its current effort to support its growing position in the US commercial market, FilmLight has appointed Fred Medina to the post of Vice President of West Coast Sales. Medina, who arrives from a similar position with … Continue reading →
FilmLight Boosts Engineering Staff in Asia
FilmLight, a leading provider of digital film and video technology, has appointed Richard Senior as Product Specialist. Senior will provide installation assistance, technical support and training for the entire … Continue reading →
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