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FilmLight has developed a version of its industry-leading colour management technology, Truelight, for use by film and television productions in performing basic colour correction functions on-set or on-location. Truelight On‑Set is aimed at the … Continue reading →

Aiming to garner more mastering work for feature films and commercials, Santa Monica, California-based Core Group has purchased a Baselight ONE colour grading system from FilmLight. The system will enable the … Continue reading →

Chris Noellert, a post-production technology specialist, visual effects artist and editor, has joined FilmLight in the newly-created post of Product and Workflow Specialist. Formerly Technical Director at Nordisk Film Post Production, Stockholm, Noellert will work with FilmLight clients … Continue reading →

In this series, host Richard Lloyd discusses and debates the use of colour in film, television, advertising and emerging media with Directors, Producers, DoPs, technicians, colourists, editors, agency creatives and brand owners, as well as academics and … Continue reading →

FilmLight, a leading developer of film scanning, colour grading and colour management technology, has appointed Mark Burton as European Sales Manager. Burton, who has more than 20 years of experience with technology companies serving the film and television industry, … Continue reading →

Belgium post-production house HoverlorD has unveiled a purpose-built Digital Intermediate Theatre at its facility in Liege employing FilmLight’s scanning and colour grading technology. … Continue reading →

High definition post production house Envy has invested in a Baselight FOUR colour grader—its second such system. Manufactured by FilmLight, the resolution independent colour grading system … Continue reading →

FilmLight’s Baselight HD colour grading system will be the centrepiece of a new post production facility launching this month in Kiev. Top Dogz, founded by Colourist Jake Blackstone and … Continue reading →

The second series of ‘Torchwood’ is about to air in the US. Post for ‘Torchwood’, which is shot on high-definition (HD) video, is carried out at The Mill in … Continue reading →

Shot in an Argentinian mountainside village, the ad features a game of dominoes which escalates to include suitcases, tyres, oil drums, fridges, wardrobes and cars.

Filmed … Continue reading →

Digital Intermediates have been a fact of life in Hollywood for years, allowing post-production teams the flexibility to create film looks in a non-linear environment. And now … Continue reading →

Belinda Merritt has joined FilmLight as West Coast Sales Manager, USA. Merritt, who has more than two decades of experience in post production, will oversee sales and marketing efforts in the western United States for the company which design … Continue reading →