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Chicago-based, full service post production facility – Optimus, has acquired a Baselight EIGHT high performance colour grading system from FilmLight. Operational in October, the company plans … Continue reading →

Chicago’s Avenue Edit invested in FilmLight’s Baselight FOUR non-linear colour grading system and Northlight scanner in late 2006 to keep pace with the … Continue reading →

VCC Perfect Pictures, which operates six post production facilities in Germany, has purchased a Baselight HD non-linear colour grader from FilmLight – its third Baselight system.

VCC, which was … Continue reading →

Seeking to round out its post production service offerings, Post @ The London Studios (TLS) has purchased FilmLight’s Baselight HD non-linear, software-based colour grading system. It marks the first … Continue reading →

Munich-based Arri Film & TV has acquired FilmLight’s Baselight HD to support its growing commercials division. The post production company will use Baselight to control a Thomson Grass Valley™ … Continue reading →

FilmLight’s entire DI range – scanning, colour grading and colour management technology – will form the backbone of a new full-service post production house launching in Toronto this month. … Continue reading →

Post Logic Studios, a leading independent post-production and digital intermediate (DI) service facility, recently wrapped a slate of post and DI services for Dimension Films’ Halloween.

Read more about the post-production … Continue reading →

Cinecolor, one of the largest film and video production companies in Latin America, has purchased three Northlight scanners to support its growing post production operations. The company, based … Continue reading →

Bolivar Films, a full service film and video production company based in Caracas, Venezuela, has become the first company in South America to acquire FilmLight’s Baselight ONE … Continue reading →

NoloDigitalFilm, Chicago’s newest post production facility, has chosen Baselight HD, the nonlinear, resolution independent colour grading system from FilmLight, as the centrepiece of its newly-built Digital Intermediate Theatre—the first such resource … Continue reading →

FilmLight’s Baselight EIGHT was recently used to perform final colour grading for one of the year’s most eagerly anticipated feature films, Harry Potter and the Order of the Phoenix. Truelight, FilmLight’s colour management tool was also used … Continue reading →

Berlin-based cine plus Media Service has become the latest European post-production company to purchase a Baselight HD, the software-based, non-linear colour grading system from FilmLight. … Continue reading →