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In The Press

Creating a supernatural colour grade for ‘Salt Along the Tongue’

February 10, 2025

Article courtesy of Digital Media World

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Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final grade.

Luca Guadagnino’s Queer

February 5, 2025

Article courtesy of Post

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The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio Del Bravo.

Behind the look: Disclaimer

January 30, 2025

Article courtesy of Televisual

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The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at Picture Shop).

FilmLight introduces REMOTE

January 29, 2025

Article courtesy of TV Technology

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FilmLight has officially launched FilmLight REMOTE, a remote colour grading solution that allows post houses and colourists to work remotely without sacrificing the high-quality and low-latency monitoring essential for fast and efficient workflows.

The Penguin: Honouring the look of The Batman

January 20, 2025

Article courtesy of postPerspective

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If you’ve seen the show, you’ve likely noticed its distinctive look, part of which could be attributed to The Penguin’s color grading, which was overseen by Picture Shop’s supervising DI colorist Pankaj Bajpai.

Light Iron selects Nara

January 8, 2025

Article courtesy of Digital Cinema Report

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Light Iron has selected Nara for its New York and Los Angeles facilities – streamlining its workflow solution and accessibility across sites from dailies through to finishing.

Ross Baker, head of colour, Molinare

December 21, 2024

Article courtesy of Digital Media World

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Ross Baker, senior colourist and head of grading at Molinare in London, talks about building his career from telecine departments to running a team working across multiple genres…

Professione ‘colorist’, conversazione con Claudio Del Bravo, Frame by Frame

November 22, 2024

Article courtesy of MonitoR

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Claudio Del Bravo è Senior Colorist e responsabile dei lungometraggi presso lo studio di post produzione Frame by Frame a Roma, Italia. Claudio ha maturato anni di esperienza nella color correction di vari formati tra cui: pubblicità, lungometraggi, film indipendenti, documentari e serie TV…

Camerimage’s FilmLight Colour Awards: ‘Poor Things’ Colourist Greg Fisher Takes Top Prize

November 22, 2024

Article courtesy of The Hollywood Reporter

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The annual awards ceremony, which was chaired this year by Oscar-nominated cinematographer Mandy Walker, aims to “reflect the cultural, visual and technical values of the international color grading community.”

Shades of success

November 18, 2024

Article courtesy of Broadcast Pro Middle East

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Fady Melek, a senior colourist with more than 20 years of experience in the film industry, has been at Katara Studios since 2017, where he works on grading feature films and TV shows…

Robert Richardson On Colour

November 18, 2024

Article courtesy of American Cinematographer

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The cinematographer and FLCA juror shares the insights he’s gleaned over years while working alongside many leading colourists.

Camerimage: FilmLight Colour Awards Winners Announced

November 17, 2024

Article courtesy of Variety

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The winners of colour grading system developer FilmLight‘s 4th annual Colour Awards were presented Sunday at the EnergaCamerimage international cinematography film festival in Toruń, Poland.

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

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