Meet The Colourist
Meet The Colourist: Kyle Stroebel, Refinery, Cape Town
“What I really enjoy about Baselight is there are just limitless ways you can achieve the look. I feel my control of the curve has such versatility from a variety of tools, that when dealing with the varying light tones … Continue reading →
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Meet The Colourist: Adam Dolniak, Head of Picture, Splice, London
“Every grade session is essentially a compromise between what you can achieve in the given timeframe and your vision for the finished product. Baselight steps in to bridge that gap so that you can achieve great results quickly without having … Continue reading →
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Meet The Colourist: David Basta, Senior Colourist, Lumeni Productions, Glendale CA
“Baselight’s power and flexibility enables our art department to interface seamlessly with our DI theatres to produce efficient, cost-effective results. This dynamic workflow means that our clients can make interactive changes to graphics, effects, and colour while reviewing their projects … Continue reading →
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Meet The Colourist: Simon Astbury, Head of Colour, Digital Domain Shanghai
“Be a geek about your industry, cameras, lighting, lenses. Watch movies, ads and everything that’s good. Study art and artists, if only to have common points of reference. Remember that the grading part is only a portion of what makes … Continue reading →
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Meet The Colourist: Swapnil Patole, Senior Colourist/DI Head of Department, Famous Studios, Mumbai
“As a colourist, visually stunning images are more addictive than technical aspects of colour grading. I always try to grade in an eccentric way, as I have always believed that your work as an artist is more recognised when you approach it differently.”
Swapnil is … Continue reading →
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Meet The Colourist: Mike Nuget, Freelance Colourist/Editor, New York City
“There were days when I would be on both the Avid and Baselight simultaneously and moving projects back and forth multiple times a day. But I didn’t have to finish colour in one system or the other – the colour … Continue reading →
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Meet The Colourist: Park Jin-Ho, Cinemate, Korea
“I learned the colour grading language through Baselight, right from the beginning. It felt wonderful to sit and work on a grading panel in a DI room that was exactly the same as a theatre.”
Meet The Colourist talks to Park … Continue reading →
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Meet The Colourist: Manuel Canchola, Mexico City
“I adore my job and with the precise tools the Baselight grading system offers it has become like a fantasy that you don’t want to wake up from.”
Meet The Colourist talks to Manuel Canchola, a freelance colourist based in Mexico … Continue reading →
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Meet The Colourist: Sébastien Mingam, Mikros Image, Paris
“Every colourist places the cursor where he wants to but without technical knowledge, you limit your possible paths, and without instinct you don’t get very far.”
Sébastien Mingam joined the team at Mikros in Paris 13 years ago, where … Continue reading →
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Meet The Colourist: Olivier Fontenay, Sydney
“I can be quite intuitive with what I do and achieve a lot with very little – but when I need to go a bit further I’ve got all the other tools at hand.”
Meet The Colourist talks to … Continue reading →
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Meet The Colourist: Rahul Purav, Futureworks, Mumbai
“VFX shots can be dropped onto the timeline as they are completed, with conforming and matching carried out in Baselight to provide a one-stop finishing process.”
Meet The Colourist visits Rahul Purav, Senior Colourist at Futureworks in Mumbai.
Rahul … Continue reading →
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Meet The Colourist: Duncan Russell, Freefolk, London
“It’s a bottomless toolset and I’m still finding new ways to grade with it. I continually share my wonderment with clients, some will geek out with me, and some don’t care as long as it looks how they envisaged their … Continue reading →
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