News Articles

Tropfest, held in Australia every year, is the world’s largest short film festival.

Watch the ‘Making Of’ the trailer here (including a lovely shot of Baselight/Blackboard at work at Cutting Edge):

And you can see the finished trailer … Continue reading →

F65 used for Belle

‘Belle’ will in all likelihood be a fairly high profile UK debut for the format. The third project backed by Pinewood Films, the relatively recent offshoot of the famous studio complex, it is directed by BAFTA … Continue reading →

“Colorworks (www.sonypictures.com) provided post services for a new animated short from writer/director PES that was recently short-listed for Academy Award consideration.”

That means Baselight – find out more at Post Magazine.… Continue reading →

“Our overall objective was to make it look patriotic and beautiful.”
Cadenas

Read the full article in Screen magazine online. You can watch the end result below:

 … Continue reading →

The 2012 British Craft Awards were held last Monday night in London.

Five out of the six nominations for Best Colourist were on Baselight, including this year’s Gold Winner – Jean-Clement Soret from MPC, for his work on British Airways … Continue reading →

Presented by Quentin Tarantino and marking the directorial debut of RZA from Wu Tang Clan, action-adventure The Man With The Iron Fists evokes the spirit of classic martial arts films.

Graded on Baselight at Sony Pictures Entertainment’s digital intermediate facility, … Continue reading →

Encore is one of the busiest full-service post-production facilities in Hollywood. Part of Deluxe Entertainment Services Group, the company has built its reputation primarily through its work in episodic television. It services such shows as Fringe, Glee, Justified, … Continue reading →

The Mill have just announced the launch of a remote grading facility with NHB Germany, a post-production house who work with some of the biggest advertising agencies and film production companies in Germany.

The collaboration will utilise the Baselight colour … Continue reading →

Find out about the 4K digital restoration of Lawrence of Arabia, which used the Baselight EIGHT colour grading system to prepare for its upcoming release on Blu-ray.

Variety

You can also read more about the process in an article … Continue reading →

We recently participated in the Avid Webinar: Expand Your Media Composer Capabilities through AVX2 to demonstrate how Baselight for Avid brings colour correction tools to you—right inside of Media Composer and Symphony.

Don’t worry if you missed it—it’s now available … Continue reading →

“FilmLight is on to something. The focus in post-production especially over the last several years has been on workflow and the fact that each one is unique, or a ‘snowflake’. That has made it incumbent on companies that produce the … Continue reading →

FilmLight product specialists Sebastian Rasfeld and John Quartel attended Beyond Hands on HD in Hanover last week to showcase and introduce FLIP to young German filmmakers.   Having not attended this show before, some comments from our intrepid duo.

JQ:  “I … Continue reading →