News Articles

Soho based Dirty Looks completed DI on all the opening ceremony films for the London Olympics.

The work happened in Stratford over three weeks leading up to the big night with the installation of a Baselight, Avid, Speedgrade and other … Continue reading →

FLIP provides on-set preview of live camera output with real-time application of LUTs and looks.

Looks which are developed in the grading theatre during test-shoots can be imported into FLIP, previewed with live footage and then further refined on-set using … Continue reading →

Watch our video tutorial to find out more about the BLG – or Baselight Grade – file.

BLG – Baselight Grade file

You can also take a listen to the fxguide podcast for an in-the-field discussion of FLIP and the … Continue reading →

The Queen’s Awards for Enterprise are highly prestigious awards for outstanding achievement by UK businesses in the categories of Innovation, International Trade and Sustainable Development. The awards are made annually by HM The Queen, and are only given for the … Continue reading →

Baselight Editions make the world’s most powerful colour grading toolset directly available to editors and VFX artists and provide the tightest integration between grading, editorial and VFX available.

At NAB, we previewed Baselight for Avid Media Composer, another product which … Continue reading →

The first reviews for Baselight for Final Cut Pro have been flowing in. Follow these links to see what people have to say about our latest offering.

Jack Jones Colourist Blog

“I personally believe that it’s a remarkable plugin, and … Continue reading →

Wolfgang Lempp (co-founder and Director) recently presented a talk entitled ‘Beyond Colour – Grading Suite Technology and Creative Control’ at BVE North. You can now watch this, and other presentations from BVE North, online. To watch, follow the link below.… Continue reading →

As Martin Scorsese’s Hugo arrives, Scorsese and his team have been out on the promotional trail discussing his creative use of 3D as a storytelling device in a largely non-action oriented drama. Among those joining Scorsese on the trail is … Continue reading →

Post Magazine | Oct 1 | Digitally Acquired TV Series

The HBO comedy series Bored to Death is entering its third season, and PostWorks (www.pwny.com) in New York City is again providing on-set editorial systems as well as dailies, color … Continue reading →

Australian based Cutting Edge used Baselight to grade the multiplatform 10-part TV drama series SLiDE for broadcast network Fox 8.

Read the full article.… Continue reading →

Luke Woolfson served as the industrial designer for the Blackboard 2 team. Luke, who describes himself as “passionate for creativity and perfection,” holds a Masters Degree in Product Design from De Montfort University, Leicester, and previously served as a Graduate … Continue reading →

The Baselight colour grading system was used in the recent restoration of Raiders of the Lost Ark, which has been released to coincide with its 30th anniversary.

The grade was carried out by Lou Levinson at Laser Pacific. In … Continue reading →