News Articles
Technicolor PostWorks Provides Finishing Services for Oscar-Winning Doc “A Girl in the River”
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award® for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar® in 2012 of Saving … Continue reading →
Nice Shoes take Pink Through The Looking Glass in “Just Like Fire”
For Pink’s song “Just Like Fire”, the signature song for Disney’s new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through … Continue reading →
Broadcast Beat at NAB 2016: 4K, 8K and HDR
From Broadcast Beat:
NAB Show LIVE: 4K, 8K and HDR
Janet West hosts this panel for Broadcast Beat, including Wolfgang Lempp, Ceo of FilmLight, alongside Robert Carroll, Senior Director of Content Solutions at Dolby Laboratories, and Janet Lafleur, Senior … Continue reading →
The Foundry’s roving report NAB 2016: FilmLight
From The Foundry:
The Foundry’s roving report NAB 2016: FilmLight
“Heard us talking about Baselight for NUKE? Find out what’s new for FilmLight this year.”
postPerspective: NAB 2016 – FilmLight’s Peter Postma
From postPerspective’s YouTube Channel:
NAB 2016: FilmLight’s Peter Postma
“FilmLight America’s managing director, Peter Postma, walks us through what was new from the company at NAB 2016 in terms of its Baselight 5.0, including HDR grading support, remote grading, … Continue reading →
Studio Daily: Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
From Studio Daily:
Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight’s focus away from the traditional lift/gamma/gain methods … Continue reading →
Film and Digital Times: Vittorio Storaro: Passage from Film to Digital
Check out this great interview in the Film and Digital Times with Anthony Raffaele, Senior Colourist at Technicolor Postworks New York.
Anthony became involved with Woody Allen’s “Cafe Society” when cinematographer Vittorio Storaro requested a Baselight colourist who could do … Continue reading →
postPerspective: Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
From postPerspective:
Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
FilmLight, creator of the popular BaseLight color grading system, has been making products targeting color since 2002. Over the years they have added other products that surround the … Continue reading →
BroadcastPro ME: Picture Perfect – Arab Telemedia Group
From BroadcastPro ME, Issue 68, February 2016:
Picture PerfectArab Telemedia Group has upped its game in the regional television market, with an incremental investment in FilmLight’s colour management techniques for its drama productions. BroadcastPro ME take a look … Continue reading →
Televisual: ENVY Invests in Fifth Baselight Suite
From Televisual Magazine:
ENVY Invests in Fifth Baselight SuiteSince first opening its doors back in 2006, Envy has followed a rapid expansion plan, opening up building after building, with a consistent, sophisticated look and feel. The company has … Continue reading →
Post Magazine: Consumer Behavior and Emerging Technologies
From Post Magazine’s 30th anniversary issue (December, 2015):
Consumer Behavior and Emerging Technologies
Wolfgang Lempp
CEO, FilmLight
We already know what the technology issues will be in 2016. In movies, we will be talking about higher frame rates and high … Continue reading →
British Arrows Craft Awards 2015 – 100% Baselight for Best Colourist
The British Arrows has announced the shortlist for the Craft Awards 2015. We at FilmLight are very proud that the nominees for Best Colourist are 100% Baselight.
Aubrey Woodiwiss for Dunlop Tyres, Forever Forward
Made for Leo Burnett, Frankfurt by … Continue reading →
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