News Articles
StudioDaily: Charting a Course for an Avid 4K Finish
In this article, StudioDaily gets down to the nitty gritty of the Technicolor-PostWorks Media Composer DNxHR Online Workflow for Nat Geo’s Russia’s Wild Arctic – with the grade performed on Baselight.
“It basically opens up the ability to have the … Continue reading →
postPerspective talks to Wolfgang Lempp at NAB 2015
On the show floor at NAB 2015, postPerspective caught up with FilmLight’s Wolfgang Lempp to hear more about our unique, collaborative colour pipeline – from set to screen.
Thanks to all who visited us at NAB 2015
We had a really great time at NAB. If you didn’t manage to catch us there – or even if you did – you can still find out about what we were showing and doing…
Post Magazine: Technicolor-PostWorks employs Baselight for Avid to enhance the look of ‘Brain Games’
From the March edition of Post Magazine… Find out how colourist Chris DiBerardino uses Baselight for Avid in a new approach for the fourth season of Brain Games…
Technicolor-PostWorks employs a novel approach to color to enhance the… Continue reading →TV-Bay: Fixing It in Parallel
From #97 of the TV-Bay Kitplus magazine (January 2015)…
Fixing it in parallelDaniele Siragusano, Workflow Consultant, FilmLight
Whenever something went wrong in television production, the cry was always “We’ll fix it in post”. Except that there was rarely enough … Continue reading →
2015 Golden Globes – The Winners
Congratulations to all the nominees – and winners – at last weekend’s Golden Globe awards. Of course, we’re particularly proud of the Baselight productions…
‘The Theory of Everything’, graded by Peter Doyle for Technicolor, scored a BEST ACTOR IN A … Continue reading →
The Broadcast Bridge: Molinare Grades Dailies for BBC Esio Trot
“It was the first time we had done this. The show had a permanent pair of human eyeballs instead of predefined LUTs applied arbitrarily.”
Find out about the dailies grading process that London facility Molinare devised for Esio Trot, … Continue reading →
35th London Critics’ Circle Film Awards
The countdown to the annual London Critics’ Circle Film Awards has begun. Baselight was well-represented with nominees in FILM OF THE YEAR, FOREIGN LANGUAGE FILM OF THE YEAR, BRITISH FILM OF THE YEAR and DOCUMENTARY OF THE YEAR.
Leading the … Continue reading →
postPerspective: Quick Chat with FilmLight co-founder Wolfgang Lempp
From Randi Altman’s postPerspective – PostPerspective talks to our Wolfgang Lempp about R&D priorities, broadening DI toolsets and more…
Quick Chat with Wolfgang LemppIn what has become a semi-regular column here at postPerspective, we have taken to doing short … Continue reading →
ICG Magazine: World of Color
Digital color correction is the now the global standard. But there are many subtle aesthetic differences beyond the post suites of Hollywood.
In this article from ICG Magazine, Pauline Rogers talks to a range of highly talented and well-respected colour-correction … Continue reading →
Congratulations to the ASC CDL team
At last Friday’s HPA Awards, the American Society of Cinematographers: Color Decision List (ASC CDL) picked up the prestigious HPA Judges Award for Creativity and Innovation in Post Production.
From left to right, the ASC CDL team: Greg Ciaccio, Peter … Continue reading →
postPerspective: FilmLight at IBC2014
From Randi Altman’s postPerspective – read Chris Ryan (Nice Shoes) on FilmLight’s offering at IBC2014…
IBC Blog: color grading, end to end post, moreBy Chris Ryan
FilmLight
Nice Shoes currently uses FilmLight’s Baselight system for color grading, so … Continue reading →
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