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postPerspective: FilmLight at IBC2014
From Randi Altman’s postPerspective – read Chris Ryan (Nice Shoes) on FilmLight’s offering at IBC2014…
IBC Blog: color grading, end to end post, moreBy Chris Ryan
FilmLight
Nice Shoes currently uses FilmLight’s Baselight system for color grading, so … Continue reading →
IBC2014 Round-up
Thank you to everyone who dropped by the FilmLight stand at this year’s IBC. We had a great show. If you weren’t able to make it – or you’d like a reminder about what we were showing – here’s where … Continue reading →
Beyoncé’s visual album graded at Nice Shoes
Beyoncé’s recent full-length album launched simultaneously with fourteen music videos. Dubbed “The Visual Album”, Beyoncé turned to Nice Shoes colourists Ron Sudul, Lenny Mastrandrea and VFX artists Vin Roma, Jason Farber, Russ Bigsby and Kevan Lee to make her new … Continue reading →
Baselight for FCP brings world class colour grading to the heart of Guanajuato International Film Festival
This week sees the start of the 17th Guanajuato International Film Festival, or GIFF, which takes place in San Miguel de Allende and Guanajuato Capital in Mexico from July 25 to August 3.
One of the programme highlights is the … Continue reading →
Televisual: Film 40 – The Colourists
Jean-Clement Soret is one of the top grading artists in Europe. His portfolio boasts a number of big brand commercials and features films like the Danny Boyle thriller Trance. The Televisual article looks at his work on the recent … Continue reading →
China Film Group uses Baselight TWO to grade Jackie Chan’s ‘Police Story 2013’
Mark Ma recently used the Baselight TWO grading system to grade Jackie Chan’s latest film, Police Story 2013, at China Film Group.
This article was recently published in Film Makers Guide. Here is a short extract in English; click … Continue reading →
Creative COW: Restoring Orson Welles’ Classic Lady From Shanghai
Orson Wells’ The Lady From Shanghai has been beautifully restored by Sony.
The restoration had many challenges, including visible print-through from a poor lacquering job and almost a dozen catastrophic tears where the frame needed to be reconstructed. Sony Colorworks … Continue reading →
Windmill Lane Demos Baselight at Dublin’s Digital Biscuit 2014
Leading colourist, David Hughes, showcases latest Baselight projects
FilmLight, with long-standing customer and leading creative post-production company in Ireland, Windmill Lane, will be showcasing its latest solutions at the Digital Biscuit event from 22 – 24 January 2014 (The Science … Continue reading →
Baselight nominations at this year’s Golden Globes
Congratulations from all of us at FilmLight to our clients nominated in this year’s Golden Globe Awards. We wish you all the best of luck for Sunday night.
Inside Llewyn Davis – Best Motion Picture, Musical or Comedy
Technicolor’s … Continue reading →
Colorworks Completes Brilliant 4K Restoration of Frank Capra Classic “It Happened One Night”
Find out how Colorworks, Sony Pictures’ digital intermediate facility, completed a lovingly painstaking 4K restoration of Frank Capra’s 1934 comedy, It Happened One Night.
The final restored files were graded in 4K at Colorworks on the Baselight colour … Continue reading →
Digital Media World: A Hero’s Post
Nvizible VFX studio and Molinare post production joined forces on the post for ‘Kick-Ass 2’, giving the movie an exciting cinematic look. The film was graded on Molinare’s Baselight EIGHT grading system by Asa Shoul.
“In the studio, I … Continue reading →
Cluster Studio adds FLUX Store from FilmLight
Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost … Continue reading →
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