Press Releases
FilmLight’s new products prove an immediate success
Our Blackboard 2 grading control surface and Baselight TWO colour grading systems, can be seen for the first time in Europe at IBC 2011. Both new products are already enjoying record sales among broadcasters, post houses and production facilities worldwide.… Continue reading →
FilmLight at IBC 2011: Stand 7.F31
LONDON—25 August 2011—Highlights
We will be giving the first European presentations of Blackboard 2, our revolutionary new grading control surface. Blackboard … Continue reading →
Editor’s Guild: Thou Shalt Restore Thine Original Film Negatives
Warner Bros. MPI, under the direction of senior colorist Jan Yarbrough, recently completed a challenging restoration on ‘The Ten Commandments’ for Paramount.
The restoration was completed using Baselight, and released for the production’s 55th anniversary.
You … Continue reading →
Bangkok’s Spice Shop Becomes the First Post House to Purchase FilmLight’s Revolutionary Control Surface: Blackboard 2
At NAB 2011, FilmLight today announces that Spice Shop, Bangkok, has become the first post-production facility worldwide to purchase its new Blackboard 2 control surface for Baselight. Unveiled for the first time at NAB on Monday, Blackboard 2 represents an … Continue reading →
Point.360 Digital Film Labs preview Visionary Archive at NAB
Sean McKee, Director of Restoration & New Technology at Point.360 Digital Film Labs, will be giving a technology preview of the soon-to-be released Visionary™ Archive system in the FilmLight hospitality suite—the Paramount Room at the Renaissance Hotel. Demonstrations will … Continue reading →
FilmLight Previews the Future of Colour Grading at NAB 2011
Furthering its position as the industry’s innovation leader, FilmLight is debuting several new colour grading technologies at NAB … Continue reading →
FilmLight Unveils Revolutionary Control Surface: Blackboard 2
At NAB 2011, FilmLight launches Blackboard 2, an entirely new control surface for its award-winning Baselight colour grading system. The unique and revolutionary design of Blackboard 2 promises to transform high-end finishing for feature … Continue reading →
FilmLight Provides A Taste Of Baselight for Editors
At NAB 2011, FilmLight is previewing a new Baselight colour grading plugin for Apple® Final Cut Pro®. The plugin is aimed primarily at smaller editorial and post-production facilities, … Continue reading →
London’s UNIT Adds Baselight
In a significant boost to its colour grading services for commercials, Soho post-production company UNIT has purchased a Baselight HD colour grading system from FilmLight. The new grading system … Continue reading →
Technicolor & FilmLight Join Forces to Provide On-Location Color
Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and FilmLight, a developer of film scanning, color grading and color management technology, today announced a … Continue reading →
Creative COW: Restoring Martin Scorsese’s ‘Taxi Driver’ in Sony 4K Digital Cinema
Sony has recently restored Taxi Driver for its 35th anniversary. The restoration used Sony’s Baselight EIGHT and Baselight FOUR systems as part of the process to digitally restore and re-master the film to 4K, for a limited 4K theatrical release … Continue reading →
Glassworks invests in a Baselight HD colour grading system from FilmLight to help expand its customer base
Wanting to offer a more sophisticated service to existing clients, as well as opening itself up to a broader market, Glassworks Amsterdam, the country’s leading visual effects post house, has invested in a Baselight HD colour grading system from Film… Continue reading →
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