Press Releases

Leading a growing trend amongst creative editorial post houses, Chainsaw, based in Hollywood, California, has bought a Baselight HD to integrate with its non-linear post production workflow. To support this latest acquisition, Chainsaw recently hired Andy Lichtstein to be its … Continue reading →

When boutique facility ‘One Of Us’ decided to expand their service offering they looked no further than FilmLight’s colour grading system—Baselight. It was the ‘obvious choice’ for a company who already had many years previous experience with Baselight, knowing … Continue reading →

Oriental Post Vietnam Co. Ltd., has purchased a Baselight HD colour grading system for deployment in their new post-production facility in Ho Chi Minh City, Vietnam. The system … Continue reading →

Nice Shoes, the New York commercial post facility, has recently invested more than $3 million to upgrade its colour-correction rooms from their long-standing da Vinci suites to brand-new Baselight EIGHT systems.

Some 30 percent of the facility’s business is projects … Continue reading →

Oriental Post, in cooperation with Kantana Laboratories, has implemented FilmLight’s industry leading Truelight Colour Management technology throughout their DI, video post-production and film laboratory facilities. The company, which provides film scanning and recording, television transfer, editorial visual effects and … Continue reading →

FilmLight, a leading provider of digital film and video technology, announced today that Mexican-based commercial post-production facility Lomas Post has invested in a Baselight ONE colour grading system. The company prides itself as a ‘one-stop shop solution’ specialising in … Continue reading →

Colorado’s longest running post-house, Crosspoint, required a dedicated colour grading system that would complete their services from start-to-finish, offering clients a non-linear SD to 2K workflow. The company selected Baselight, which enabled Crosspoint to fulfill their needs and ensure high … Continue reading →

Sony Pictures Technologies has chosen FilmLight’s Baselight colour grading system and Truelight colour management to be installed in a dedicated post-production facility at Sony Pictures Entertainment’s Culver City headquarters. The systems include editorial, grading and finishing and will form … Continue reading →

Toronto-based post-production company Posterboy Inc. has become the first customer worldwide to purchase the recently launched Baselight Transfer system (BLT) from FilmLight. A cost effective, digital telecine tool, the BLT enables seamless integration of REDCODE Raw source into standard … Continue reading →

Los Angeles based post-production infrastructure specialist—Film + Data Design have selected FilmLight’s complete product range for a yet to be named client. The total investment worth $2.6 million included—three Baselight colour grading systems, two Northlight pin-registered film scanners and … Continue reading →

In late February, FilmLight hosted an event in LA for the Editors Guild, focussing on the Baselight colour grading system and its open system integration with Avid and Final Cut Pro.

At this event, Peter Postma demonstrated “non-linear” colour … Continue reading →

World-leading visual effects company—The Mill have added a third Baselight EIGHT colour grading system to the two Baselight EIGHTs already installed in London. The company selected the system for its New York facility, which already includes seven Flame suites, three … Continue reading →