Press Releases
Ireland’s Windmill Lane adds second Baselight
A year on from acquiring their first Baselight FOUR system, Windmill Lane Ltd, the largest post-production house in Ireland, has purchased a second Baselight colour grading system. The company, who have a diverse portfolio and receive work for many feature … Continue reading →
Digital Arts: Prime Focus London posts Anton Corbijn’s Linear film for U2 album
Prime Focus London has completed post production on Anton Corbijn’s latest film, Linear. The project is a companion piece to U2’s new album No Line On The Horizon and will be available in special album formats including digipak and box … Continue reading →
FilmLight Launches Baselight Transfer (BLT)
FilmLight, a leading provider of digital film and video technology, today announced the introduction of Baselight Transfer (BLT), a low cost near-set and post-production solution for rapidly viewing, grading, … Continue reading →
FilmLight continues worldwide success
FilmLight, a leading provider of digital film and video technology, announced an excellent start to 2009, with sixteen leading studios and facilities around the world opting for … Continue reading →
FilmLight not exhibiting at NAB 2009
FilmLight, a leading provider of digital film and video technology, announced today that the company will not be exhibiting at the National Association of Broadcasters Convention (NAB) in Las … Continue reading →
American Cinematographer: An Old Soul – Baselight adds the ‘finishing touches’ to Benjamin Button
FilmLight’s Baselight EIGHT was recently used to create the 2K DI for one of the year’s most eagerly anticipated feature films – THE CURIOUS CASE OF BENJAMIN BUTTON.
As featured in American Cinematographer magazine, read the full article by … Continue reading →
Mill TV Taps Baselight to Work Magic for BBC’s “Merlin”
The legendary kingdom of Camelot, complete with its fire-breathing dragons, winged griffins, sword-wielding knights and “youthful” sorcerer, is brought magically to life in Merlin, a new family-oriented drama produced by Shine for the BBC. The show, which tells the … Continue reading →
London’s Evolutions Adds Baselight as Part of £1 million Upgrade
Evolutions, the largest independent post-production facility in the UK, has purchased a Baselight HD colour grading system and upgraded its existing Baselight FOUR from FilmLight as part of a new £1 million expansion. The system will be installed in … Continue reading →
FilmLight’s Baselight Grades for Godfather DVD and Blu-ray Release
FilmLight’s Baselight colour grading system recently played a crucial role in the restoration of The Godfather and The Godfather, Part II and the creation of a new Digital Intermediate of the Director Cut of Part III for Paramount Home … Continue reading →
Visual Impact Adds Baselight to South African Operations
Visual Impact, a supplier of professional broadcast technology with offices in UK, Europe and South Africa, has purchased a Baselight HD colour grading system from FilmLight for use at its Visuals HDHUB facility in Cape Town. The new Baselight … Continue reading →
Slovenia’s Restart Production Adds FilmLight’s Northlight 2
Restart Production, a post-house in located in Ljubljana, Slovenia has purchased a Northlight 2 2K|4K film scanner from FilmLight. The company, which provides film restoration, digital intermediate and … Continue reading →
Berlin’s PostFactory Chooses FilmLight’s Baselight and Truelight for New DCI-Compliant Grading Theatre
PostFactory, Berlin, has added digital intermediate colour grading for feature films to its service offering through the purchase of a Baselight HD system from FilmLight. They system will be installed in an all-new DI grading theatre, purpose built to … Continue reading →
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