Press Releases
India’s Adlabs Launches 4K DI Theatre with FilmLight Technology
Adlabs, part of the Reliance Anil Dhirubhai Ambani Group and India’s largest entertainment conglomerate, has made a major investment in state-of-the-art 4K film scanning, colour grading and colour … Continue reading →
Thomson and FilmLight to Showcase Software Grading Control for Spirit at NAB
At the National Association of Broadcasters Convention in Las Vegas, Thomson Grass Valley and FilmLight will conduct a groundbreaking demonstration in which FilmLight’s Baselight colour grading system will control a Thomson Grass Valley Spirit as a telecine controller. … Continue reading →
FilmLight to Unveil Truelight Unlimited at NAB
At the National Association of Broadcasters Convention, FilmLight will introduce a radical extension of its industry-leading Truelight colour management system that will include support for the most widely used third-party colour correction, … Continue reading →
Sony and FilmLight to Showcase Real-Time 4K Grading and Display at NAB
At the upcoming NAB Show (National Association of Broadcasters Convention), Sony and FilmLight will demonstrate grading and display of uncompressed 4K imagery in real-time. The demonstrations will be conducted at both the Sony booth (SU906) and the FilmLight … Continue reading →
Windmill Lane Becomes First Irish Facility to Acquire Baselight
Windmill Lane Ltd, the largest post-production house in Ireland, has become the first facility in the country to purchase FilmLight’s Baselight colour grading system. The company plans to install … Continue reading →
FilmLight Develops Colour Management System for On-Set Colour Correction
FilmLight has developed a version of its industry-leading colour management technology, Truelight, for use by film and television productions in performing basic colour correction functions on-set or on-location. Truelight On‑Set is aimed at the … Continue reading →
Core Group, Santa Monica, Upgrades DI Services with Baselight
Aiming to garner more mastering work for feature films and commercials, Santa Monica, California-based Core Group has purchased a Baselight ONE colour grading system from FilmLight. The system will enable the … Continue reading →
Noellert Joins FilmLight as Workflow Specialist
Chris Noellert, a post-production technology specialist, visual effects artist and editor, has joined FilmLight in the newly-created post of Product and Workflow Specialist. Formerly Technical Director at Nordisk Film Post Production, Stockholm, Noellert will work with FilmLight clients … Continue reading →
As featured in The Broader Issue: Colour
In this series, host Richard Lloyd discusses and debates the use of colour in film, television, advertising and emerging media with Directors, Producers, DoPs, technicians, colourists, editors, agency creatives and brand owners, as well as academics and … Continue reading →
Burton to Manage FilmLight’s European Sales
FilmLight, a leading developer of film scanning, colour grading and colour management technology, has appointed Mark Burton as European Sales Manager. Burton, who has more than 20 years of experience with technology companies serving the film and television industry, … Continue reading →
Belgium’s HoverlorD Launches DI Service with FilmLight Technology
Belgium post-production house HoverlorD has unveiled a purpose-built Digital Intermediate Theatre at its facility in Liege employing FilmLight’s scanning and colour grading technology. … Continue reading →
London’s Envy Adds Second Baselight
High definition post production house Envy has invested in a Baselight FOUR colour grader—its second such system. Manufactured by FilmLight, the resolution independent colour grading system … Continue reading →
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