Press Releases
FilmLight’s Baselight Makes the Grade for Harry Potter and the Order of the Phoenix
FilmLight’s Baselight EIGHT was recently used to perform final colour grading for one of the year’s most eagerly anticipated feature films, Harry Potter and the Order of the Phoenix. Truelight, FilmLight’s colour management tool was also used … Continue reading →
Berlin’s cine plus Adds FilmLight’s Baselight HD
Berlin-based cine plus Media Service has become the latest European post-production company to purchase a Baselight HD, the software-based, non-linear colour grading system from FilmLight. … Continue reading →
FilmLight Develops Groundbreaking Software Noise and Grain Reduction Tool
FilmLight, a leading manufacturer of film scanning, colour grading and colour management technology, has developed a new software-based noise and grain reduction tool, integrated into its … Continue reading →
Filmlab India Selects FilmLight’s Truelight Projector Probe for New DI Service
Filmlab, one of India’s largest motion picture film laboratories, has become the first company worldwide to purchase the Truelight Projector Probe, FilmLight’s groundbreaking tool for calibrating digital projectors. The probe will … Continue reading →
Glasgow’s Serious Facilities Chooses FilmLight’s Baselight
Serious Facilities has installed a Baselight HD, FilmLight’s software-based 2K and HD colour grading system, as part of the launch of its new, state-of-the-art facility … Continue reading →
FilmLight opens office in Singapore
FilmLight, a leading provider of digital film and video technology, has opened a sales and support office in Singapore, expanding its commitment to the region.… Continue reading →
FilmLight Systems Help Facilitate the Shifting Perspectives of “Take”
Colour plays a crucial role in Take, the new indie drama from writer/director Charles Oliver that recently made its world premiere at the Tribeca Film … Continue reading →
London’s The Mill Adds Second Baselight
FilmLight today announces the sale of a Baselight FOUR colour grading system to The Mill, the Academy Award-winning visual effects and post production facility based in London. … Continue reading →
Animal Logic Puts Best “Webbed” Foot Forward with FilmLight’s Truelight
Animal Logic, the Australian visual effects and animation company behind the feature film HAPPY FEET, relied on FilmLight’s Truelight technology for colour management during the … Continue reading →
FilmLight and Grass Valley to Demonstrate Baselight Software Control of Spirit Datacine
FilmLight and Grass Valley (www.thomsongrassvalley.com) will be conducting a joint demonstration at the National Association of Broadcasters Convention in which FilmLight’s Baselight colour grading system will … Continue reading →
Canada’s Newest Post House Selects Filmlight’s Baselight ONE-S for DI
Digital Film Central, Vancouver’s newest post production house, has selected Baselight ONE-S, FilmLight’s ground-breaking, software-based color grading system, as the key component of its digital intermediate pipeline—currently the only complete DI service in British Columbia. Central, as the facility … Continue reading →
Leading Commercial facility Avenue Edit invests in FilmLight systems
FilmLight, a leading provider of digital film and video technology, announced today that leading Chicago based full-service post-production facility Avenue Edit has purchased and installed a Baselight FOUR colour grading system together with FilmLight’s recently launched Northlight 2 … Continue reading →
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