Press Releases

English version | Русская версия

To support the rapidly growing market for content creation in Russia, FilmLight has recently extended its reach in the country by welcoming two new customers, as well as performing a full system upgrade for the … Continue reading →

New features developed to promote control, creativity, confidence and collaboration

FilmLight today announced Baselight 5.3, the latest release of the company’s renowned colour grading platform.

This release includes many improvements to boost control throughout the grading process, such as Partial … Continue reading →

Los Angeles post-production and production studio illuminate Hollywood (aka HTV) has added a second Baselight TWO colour grading workstation to their broad portfolio of services. Both Baselight systems use the Blackboard 2 control panel for the ultimate proficiency for their colourists.… Continue reading →

There is No Evil and Delete History prize winners completed at Optical Art in Germany and Color in Paris

At the 70th Berlinale, the 2020 Berlin Film Festival, the Golden Bear was won by There is No Evil, directed … Continue reading →

First 2020 Colour Day hosted in Paris on 28 January

Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that … Continue reading →

Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it … Continue reading →

Colourist Jean-Clément Soret integrates CGI and atmospheric shooting

One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in … Continue reading →

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as … Continue reading →

Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content … Continue reading →

Independent VFX boutique Artjail has added a Baselight grading suite in each of its locations: one in its New York studio, and one in Toronto their newest studio that opened in January. Bringing grading and VFX together will strengthen the … Continue reading →

New Blackboard Classic control panel on show, as well as workflow improvements for VFX, dailies, broadcast and more.

At this year’s IBC, FilmLight (Amsterdam, 13-17 September, stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency … Continue reading →