Press Releases
FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018
FilmLight’s Japanese branch, FilmLight KK, to showcase the power of Baselight v5
FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). … Continue reading →
FilmLight creates Cold War look for ‘The Americans’
Series six graded for HDR and 4K Ultra HD at Technicolor PostWorks
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in … Continue reading →
Baselight innovation streamlines collaborative creativity at IBC2018
New tools designed to meet the real needs of creative colourists
FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown … Continue reading →
FilmLight boosts performance and collaboration for editing, VFX and compositing with Baselight Editions
Creatives can take advantage of unique workflows across Avid, NUKE and Flame with advanced feature set
At IBC, FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product … Continue reading →
FilmLight’s Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day
Free masterclass unites diverse finishing artists to share knowledge and demonstrate real-world projects
FilmLight is to stage one of its hugely popular colour tour masterclasses at IBC2018 (RAI Amsterdam) on Sunday 16 September. This intensive day of live presentations and … Continue reading →
Encore turns to Baselight to colour the story of Picasso
Deluxe finishes ‘Genius: Picasso’ for National Geographic
The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked … Continue reading →
Baselight helps Donbass meet Cannes deadline
Gritty Ukrainian movie benefits from flexible Baselight pipeline, supporting fast delivery to enable premiere at Cannes Film Festival
Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes … Continue reading →
FilmLight launches worldwide colour masterclass tour
Global series of masterclasses on HDR, colour workflows, and new grading and delivery tools
To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive … Continue reading →
FilmLight introduces BLG for Flame at NAB2018
New plugin brings integrated creative colour to the Autodesk visual FX application, saves time for finishing workflows
At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a … Continue reading →
Baselight 5 evolves with unrivalled features for HDR, VFX and 360 VR
Popular and proven grading software platform from FilmLight celebrates success by adding even more functionality for future-proof workflows
“Baselight 5 feels like brand new software, improving on foundation features that merge a whole new level of incredible technical precision and … Continue reading →
The majestic colours of Marvel Studios’ Black Panther
Cinematographer Rachel Morrison, ASC and Colourist Maxine Gervais collaborate on a creative journey
The latest movie from the Marvel Studios stable, Black Panther, is wowing audiences and breaking box office records. Colourist Maxine Gervais of Technicolor Los Angeles was … Continue reading →
Collaborative colour workflow creates Coney Island for Woody Allen’s 50th movie
Veteran cinematographer Vittorio Storaro previews FilmLight’s graded looks on Wonder Wheel set
For his 50th movie as a director, Woody Allen chose a story set in and around the famous Coney Island amusement park in 1950s New York. To create … Continue reading →
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