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Press Releases

Baselight delivers client confidence for FutureWorks

Leading Indian post company finishes high-profile work for film and television

FutureWorks Media, the leading Indian post production company, has installed two Baselight grading suites in its finishing facility in Mumbai. The company, which has three locations in the country’s … Continue reading →

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Umedia launches integrated Vancouver studio with Baselight

Umedia assembles renowned Visual Effects and Post Production team to launch new Vancouver facility

International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. … Continue reading →

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FilmLight provides future-proof picture finishing for Sky

Leading European broadcaster implements extensive FilmLight network to improve time, cost and creativity for short and long form content

Sky, Europe’s leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and … Continue reading →

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Gorilla goes large on FilmLight

Broadcast post house boosts collaborative workflows with Baselight upgrades

Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted … Continue reading →

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Azimuth’s investment in Baselight provides high-end colour finishing

Innovative London facility adds world-leading Baselight colour grading system to network seamlessly with Avid

Boutique post house Azimuth has installed a Baselight ONE 24TB grading suite with Blackboard 2 control surface to bolster its newly revamped London Soho premises. The … Continue reading →

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The sky is the limit for 4K IMAX HDR “Sully” with Baselight

Technicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of ‘Miracle on the Hudson’

To find out more about the grade on Sully, read our Case Study where you can also watch our interview with Maxine Gervais.

Technicolor LA recently … Continue reading →

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Animal Logic chooses FilmLight Baselight as end-to-end finishing solution

Leading digital animation and visual FX production studio Animal Logic installs Baselight

Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company – whose credits range from The Continue reading →

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FilmLight and HS-ART offer new integrated grading and film restoration workflow

The Baselight-DIAMANT combination is already being used successfully at Czech TV

HS-ART and FilmLight have been working together to jointly offer FilmLight’s Baselight colour grading system and HS-ART’s DIAMANT-Film restoration software as a complete, fully integrated workflow for digital cinema … Continue reading →

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FilmLight brings end-to-end colour tools and talks to IBC2016

Exclusive colour workshops supplement comprehensive demonstrations of newest platform, Baselight X, and upcoming software version, Baselight 5.0

Underlining its position as the leader in colour science and creative collaborative finishing, FilmLight is presenting its full range of tools at IBC2016, … Continue reading →

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FilmLight expands creative possibilities for professional post at BIRTV 2016

More leading facilities in China adopt Baselight; new functionality and products complete end-to-end finishing workflow

As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV … Continue reading →

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Technicolor PostWorks creates colour for Café Society

Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing

Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which … Continue reading →

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The Legend of Tarzan creates unique 3D and colour collaboration

Prime Focus and Technicolor join forces using FilmLight’s BLG workflow to ensure director can see completed grades throughout stereo conversion process

Director David Yates wanted a big, expansive feel for his fresh take on the Edgar Rice Burroughs classic, The … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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