FilmLight develops unique colour grading systems, image processing applications and workflow tools.

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Press Releases

Technicolor PostWorks creates colour for Café Society

Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing

Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which … Continue reading →

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The Legend of Tarzan creates unique 3D and colour collaboration

Prime Focus and Technicolor join forces using FilmLight’s BLG workflow to ensure director can see completed grades throughout stereo conversion process

Director David Yates wanted a big, expansive feel for his fresh take on the Edgar Rice Burroughs classic, The … Continue reading →

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FilmLight demonstrates extended grading creativity at Expo Cine

The Baselight environment, already the most sophisticated suite of creative tools for colour grading, has been boosted with the recent introduction of version 5.0 of the core software. The benefits of render-free, collaborative workflows with Baselight will be demonstrated at … Continue reading →

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FilmLight and Avid launch ‘Professional Colour’ bundle for editors at NAB 2016

FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016 (18–21 April, Las Vegas Convention Center).

FilmLight first showed Baselight Editions on Avid Media Composer® … Continue reading →

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FilmLight adds free Mac app for on-set colour decisions

Prelight allows cinematographers to generate and review looks and look metadata

At NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight introduces Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and … Continue reading →

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FilmLight’s Baselight 5.0 extends HDR grading capabilities

FilmLight’s new Baselight 5.0, to be unveiled at NAB2016, introduces a completely fresh look to colour control and is the most sophisticated yet intuitive grading tool ever presented to professional colourists and creative artists across the production process. The latest … Continue reading →

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Baselight Ka-booms in Belfast

Rapidly growing post house adds Baselight grading suite for new BBC broadcast project

Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial … Continue reading →

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Baselight 5.0 takes grading to a new level

FilmLight announces Baselight 5.0, a completely fresh approach to colour control

FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 … Continue reading →

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Deadpool comes to life on Baselight

Deluxe’s EFILM post creates look for VFX-heavy movie

Deadpool is already one of 2016’s biggest box office hits. This darkly comic and graphic take on the superhero movie was finished by Tim Stipan on Baselight at Deluxe’s EFILM in Hollywood.… Continue reading →

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Filmlab turns to Baselight for subtle and sophisticated grade on Oscar nominee, Son of Saul

Hungary’s Magyar Filmlabor posts Son of Saul from 35mm film shoot to DCP 

Son of Saul, László Nemes’ Golden Globe winner, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). … Continue reading →

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Dolby chooses Baselight X for ultimate grading and finishing

FilmLight’s latest Baselight system fuels Dolby’s drive for HDR

FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware … Continue reading →

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FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre

Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow

Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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