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Creating a supernatural colour grade for ‘Salt Along the Tongue’

Posted on February 10, 2025

Article courtesy of Digital Media World

Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final grade.

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Creating a supernatural colour grade for ‘Salt Along the Tongue’

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Creating a supernatural colour grade for ‘Salt Along the Tongue’

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