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NAB. Las Vegas. April 15-19, 2023

Join us at NAB

April 15-19, 2023

Meeting Room #W2574 – West Hall

If you are interested in scheduling a 1:1 meeting, checking out the new tools under development in Baselight, or learning more about cloud technology, contact your local … Continue reading →

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Modern broadcast workflows #2: IT in modern broadcast

Article courtesy of Broadcast

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The second instalment of the FilmLight series takes a look at IT systems in post-production…… Continue reading →

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Colour in modern broadcast post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
Posted in Modern Broadcast Workflows, News Articles | Leave a comment

IT in modern broadcast

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
Posted in Modern Broadcast Workflows, News Articles | Leave a comment

Collaboration in modern post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
Posted in Modern Broadcast Workflows, News Articles | Leave a comment

His Dark Materials S3: The Grade

Article courtesy of UK Screen Alliance

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Picture Shop Colourist Sam Chynoweth, graded the series in UHD SDR and HDR using FilmLight’s Baselight…… Continue reading →

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Bringing colour to Bardo, False Chronicle of a Handful of Truths

Article courtesy of British Cinematographer

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The 2023 Oscar-nominated movie, Bardo, False Chronicle of a Handful of Truths, was graded on Baselight at Harbor in Los Angeles, by colourist Damien Vandercruyssen…… Continue reading →

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Modern broadcast workflows #1: Colour in post-production

Article courtesy of Broadcast

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The first in a three part series providing insight into the current broadcast environment,  by Daniele Siragusano and Andy Minuth…

 … Continue reading →
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Colorist Chat: Berlin-Based Freelancer Marina Starke

Article courtesy of postPerspective

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Post Perspective talks to freelance colourist Marina Starke, who was nominated in two categories at the 2022 FilmLight Colour Awards (Spotlight and Music Video)…… Continue reading →

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Racoon installs Baselight TWO following Enge Gray hire

Article courtesy of Broadcast

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Racoon has installed a Baselight TWO grading system and Blackboard control panel at its Margaret Street office in London…… Continue reading →

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Racoon kits new in-house colour suite with Baselight TWO and Blackboard

New senior colourist, Enge Gray, selects Baselight to support role

Racoon, one of London’s leading creative studios, has hired well-known senior colourist, Enge Gray, to join its in-house team. To support the move, Racoon has also invested in a new … Continue reading →

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‘A Thousand and One’ takes top prize at Sundance 2023

Congratulations to all involved in the creation of A Thousand and One, winner of the ‘U.S. Grand Jury Prize: Dramatic’ award at this year’s Sundance Film Festival.

The film tells the story of unapologetic and free-spirited Inez who, convinced … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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