Colour in the cloud
Peter Postma, Managing Director Americas, FilmLight
VFX and editing have been possible in the cloud for a while, but colour correction presents some unique challenges.
At a Showcase Theatre session at IBC2022, Katrina King, Content Production Media & Entertainment, AWS, … Continue reading →
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Article courtesy of Digital Media World
The movie was graded on Baselight in London by colourist Adam Dolniak at Splice, who took the job as his inaugural animation project…… Continue reading →
Modern broadcast workflows #3: Collaboration in modern post-production
Article courtesy of Broadcast
The final instalment of our series on modern broadcast workflows examines how departments can work together across the post-production workflow…… Continue reading →
Doug Delaney on Colour Grading Animated Film Entergalactic
Article courtesy of postPerspective
Delaney handled the colour grading on the Netflix animated special Entergalactic – a music television special created by American musician and actor Kid Cudi.… Continue reading →
NAB. Las Vegas. April 15-19, 2023
April 15-19, 2023
Meeting Room #W2574 – West Hall
If you are interested in scheduling a 1:1 meeting, checking out the new tools under development in Baselight, or learning more about cloud technology, contact your local … Continue reading →
Modern broadcast workflows #2: IT in modern broadcast
Article courtesy of Broadcast
The second instalment of the FilmLight series takes a look at IT systems in post-production…… Continue reading →
Colour in modern broadcast post-production
IT in modern broadcast
Collaboration in modern post-production
His Dark Materials S3: The Grade
Article courtesy of UK Screen Alliance
Picture Shop Colourist Sam Chynoweth, graded the series in UHD SDR and HDR using FilmLight’s Baselight…… Continue reading →
Bringing colour to Bardo, False Chronicle of a Handful of Truths
Article courtesy of British Cinematographer
The 2023 Oscar-nominated movie, Bardo, False Chronicle of a Handful of Truths, was graded on Baselight at Harbor in Los Angeles, by colourist Damien Vandercruyssen…… Continue reading →
Modern broadcast workflows #1: Colour in post-production
Article courtesy of Broadcast
The first in a three part series providing insight into the current broadcast environment, by Daniele Siragusano and Andy Minuth…
… Continue reading →Press Contact
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