Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’
Article courtesy of Digital Media World
“Above all, Tim and I wanted to create a genuine feeling for the time. The entire movie was shot handheld, and almost always at the children’s eye level,”…… Continue reading →
Colorist Chat: Ian Vertovec on Creating Natural Look of Devotion
Article courtesy of Post Perspective
Light Iron supervising colourist Ian Vertovec provided the final colour grade for the film Devotion, working closely with the film’s DP, Erik Messerschmidt, ASC…… Continue reading →
John Daro Masters the Power of Colour from Science to Storytelling
Article courtesy of Digital Media World
John Daro is a Lead Digital Intermediate (DI) colourist at Warner Post Production Creative Services…… Continue reading →
RRR movie: Behind the grading of the multi-Oscar-nominated Telugu blockbuster
Article courtesy of Digital Studio ME
Directed by S.S. Rajamouli, RRR (Rise Roar Revolt) is reported to be the most expensive film ever made in Indian cinema…… Continue reading →
Explore the creative possibilities of Baselight
FilmLight invites you to a special Baselight workshop day in Istanbul.
December 8, 2022
AKM Yeşilçam Sineması, Istanbul
You’ll have the chance to explore the fundamentals of HDR theory and its application in Baselight. You’ll also learn how to build … Continue reading →
Journée Baselight à Paris
Dans les locaux de ARRI France / FilmLight – PARIS.
Pour finir cette fin d’année riche en nouveautés, Filmlight vous invite le Jeudi 8 Décembre pour discuter des nouvelles fonctionnalités de la dernière version Baselight ajoutées dans la dernière version … Continue reading →
Baselight Day Tallinn
Join us for a Baselight training and colour management workshop
December 2, 2022
Tallinn University ASTRA building
A002 Auditorium Maximum
FilmLight invites you to a special Baselight workshop day at Tallinn University.
In the morning session, you’ll have the chance … Continue reading →
Aljoscha Hoffmann: Spotlight-Gewinner der FilmLight Colour Awards
Article courtesy of Film TV Video
Interview mit Colorist Aljoscha Hoffmann, der für das Grading von »Das Glaszimmer« bei den FilmLight Colour Awards mit dem Spotlight-Award ausgezeichnet wurde…… Continue reading →
FilmLight Colour Awards: Spotlight on the five nominees
Article courtesy of Televisual
Televisual takes a closer look at the five colourists nominated for the 2022 Spotlight award (recognising the talents who have contributed to the creative impact of a low-budget feature or television movie)…… Continue reading →
FilmLight Colour Awards Winners Ceremony. EnergaCAMERIMAGE. Sunday 13 November
Winners Ceremony
Sunday 13th November 2022, 4PM
Seminar Room
‘‘It’s time colourists were brought out into the limelight from the darkrooms.’’
K K Senthil Kumar, Cinematographer
In its second year, FilmLight is again hosting … Continue reading →
Look Development Masterclass at EnergaCAMERIMAGE. Monday 14 November
Monday 14 November, 11:00-13:00, Seminar Room
You cannot have an image without a look: a motion picture camera is different to the human eye. This means as soon as you take an image, you have altered reality.
This is even … Continue reading →
Watch: Ben Davis – President of the FilmLight Colour Awards Jury for 2022
Ben Davis, Cinematographer, BSC and FilmLight Colour Awards Jury President, reflects on how his relationship with colour has changed over the years.
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