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Meet The Colourist: Nick Dalby, UNIT Studios, London

“I feel that a music video should be just as interesting and eye catching when watched without the music, just as the music should be enjoyed without the video.”

Nick Dalby has been with UNIT Studios in London for over … Continue reading →

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Technicolor uses Baselight to create light and shade in ‘His Dark Materials’

Colourist Jean-Clément Soret integrates CGI and atmospheric shooting

One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in … Continue reading →

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Meet The Colourist: Julien von Schultzendorff, nhb studios, Germany

“Growing up, it was clear to me that I would become a cinematographer as well. But then around the age of 18 I discovered colour grading. It hit me right away – I knew this was what I wanted to do.”Continue reading →
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Colour masterclasses at Camerimage 2019: 11-12 November

Monday 11 November, 12:00-13:30 & Tuesday 12 November, 14:00-15:30
CKK Jordanki

Understanding visual adaptation for multi-delivery projects

Coding of sensory information changes depending on stimulation and environment. Visual adaptation is a highly dynamic process. It continuously regulates our perception and … Continue reading →

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Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as … Continue reading →

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Power of Baselight X on display at the heart of Inter BEE

Yoko Kimura joins to spearhead sales and marketing in region

FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, … Continue reading →

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Fifty Fifty adds second Baselight grading suite

Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content … Continue reading →

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Getting started with Baselight. New York. October 23.

Join FilmLight and Light Iron for an introduction to Baselight, FilmLight’s colour grading, VFX and finishing solution.

This free one-day course covers the core fundamentals of colour grading, colour spaces and media management in Baselight v5. The course combines demonstrations … Continue reading →

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Artjail raises the bar with Baselight colour grading

Independent VFX boutique Artjail has added a Baselight grading suite in each of its locations: one in its New York studio, and one in Toronto their newest studio that opened in January. Bringing grading and VFX together will strengthen the … Continue reading →

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Fast-forward to creative results with FilmLight at IBC2019

New Blackboard Classic control panel on show, as well as workflow improvements for VFX, dailies, broadcast and more.

At this year’s IBC, FilmLight (Amsterdam, 13-17 September, stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency … Continue reading →

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FilmLight presents Colour On Stage at IBC2019

Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft

To register, visit: www.colouronstage.com

At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On StageContinue reading →

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Pre-register for Colour On Stage at IBC2019

Pre-registration has now closed but general registration is open. Visit the following web site to register:

www.colouronstage.com

For more details about the programme, see our Press Release.

 … Continue reading →

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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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