Colour Grade Brings History, Mythology and Drama to Life for Thangalaan
Article courtesy of Digital Media World
John Sriram talks about grading Thangalaan in Baselight, bringing colour to the historical drama about workers at India’s Kolar Gold Fields, between real and mythological worlds.… Continue reading →
Free ‘Conform & Assist’ Training. New York. 15 October 2024
Join our free training Baselight course
For color assistants, conform artists and online editors.
Tuesday 15 October, 9am-3pm
Dolby Screening Room NYC
1350 6th Avenue New York, NY 10019
FilmLight invites you to a free workshop day at the private … Continue reading →
Colouring Bridgerton
Article courtesy of Televisual
Netflix and Shondaland’s Bridgerton saw season three released in May and June 2024 where it quickly entered Netflix’s official list of all-time most popular English-language TV shows at No. 10, earning 91.9 million… Continue reading →
The Forge: Shooting and grading director Alex Kendrick’s new feature
Article courtesy of Post
The Forge was shot in Albany, GA, by cinematographer Bob Scott, and the colour grade was completed by Keith Roush at Roush Media in Atlanta…… Continue reading →
Nara debuts new features at IBC 2024
IBC. Amsterdam. 13-16 September, 2024
INNSiDE by Meliá, Amsterdam
13-16 September 2024
Location »
Meet us at the INNSiDE by Meliá Hotel, close to the Convention Centre, from 13-16 September.
To book a one-on-one meeting or demonstration of Baselight … Continue reading →
FilmLight at IBC with Updated Collaboration Tool Nara
Article courtesy of Post Perspective
FilmLight’s Nara is offering a new suite of features that further streamline media workflows and enhance collaboration. FilmLight will be giving demos of the latest version of Nara, which provides immediate access… Continue reading →
Creating the look for ‘Furiosa: A Mad Max Saga‘. Los Angeles. 19 August 2024
BIRTV. Beijing. 21-24 August 2024
Stand 8B36
21-24 August 2024
Meet our team on stand #8B36.
Exclusive colour workshops supplement comprehensive demonstrations of all of the latest platforms – Baselight ONE, Baselight TWO and Baselight X – plus the new features coming in Baselight 7.… Continue reading →
Behind the look: Toby Tomkins, Benedict Spence on Eric
Article courtesy of Televisual
The series, directed by Lucy Forbes, was shot by cinematographer Benedict Spence and graded by senior colourist and founder of Harbor’s CHEAT in the UK, Toby Tomkins.… Continue reading →
George Miller and Mandy Walker to lead FilmLight Colour Awards jury
Article courtesy of Variety
The FilmLight Colour Awards have named “Mad Max” saga director, writer and producer George Miller as jury guest of honour and Oscar-nominated cinematographer Mandy Walker (“Elvis”) as jury president. … Continue reading →
Mandy Walker: A vision in colour
Article courtesy of Definition
Cinematographer Mandy Walker talks to Definition about all things colour, as she prepares to judge the FilmLight Colour Awards 2024… … Continue reading →
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