FilmLight develops unique colour grading systems, image processing applications and workflow tools.

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Making light work: the DPs new tool box

Article courtesy of Shots

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The changing face of cinematography is ready for its close-up – from the growth of volume stages to the impact of machine learning. Tim Cumming talks to DP Brett Danton, FilmLight’s Wolfgang Lempp,… Continue reading →
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On show: Baselight 7 and Nara 2 in our revamped London HQ. Wednesday 27 November, 2024

FilmLight
103 Bermondsey Street, London, SE1 3XB

Wednesday 27th November, from 6:30pm

On the 27th of November*, we’ll be opening the doors to our newly refurbished office and inviting you to meet the FilmLight team as we present what’s … Continue reading →

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‘Dune 2,’ ‘Furiosa’ Among FilmLight Colour Award Nominees

Article courtesy of Variety

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Colour grading system developer FilmLight has revealed the nominees for its 4th annual Colour Awards, which are organised with the EnergaCamerimage international cinematography film festival.… Continue reading →

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Colour Grade Brings History, Mythology and Drama to Life for Thangalaan

Article courtesy of Digital Media World

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John Sriram talks about grading Thangalaan in Baselight, bringing colour to the historical drama about workers at India’s Kolar Gold Fields, between real and mythological worlds.… Continue reading →
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Free ‘Conform & Assist’ Training. New York. 15 October 2024

Join our free training Baselight course

For color assistants, conform artists and online editors.

Tuesday 15 October, 9am-3pm
Dolby Screening Room NYC
1350 6th Avenue New York, NY 10019

FilmLight invites you to a free workshop day at the private … Continue reading →

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Colouring Bridgerton

Article courtesy of Televisual

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Netflix and Shondaland’s Bridgerton saw season three released in May and June 2024 where it quickly entered Netflix’s official list of all-time most popular English-language TV shows at No. 10, earning 91.9 million… Continue reading →
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The Forge: Shooting and grading director Alex Kendrick’s new feature

Article courtesy of Post

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The Forge was shot in Albany, GA, by cinematographer Bob Scott, and the colour grade was completed by Keith Roush at Roush Media in Atlanta…… Continue reading →

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Nara debuts new features at IBC 2024

Latest version of Nara boasts new features designed to further streamline media workflows and enhance collaboration for creative teams. The Nara team will be at IBC 2024 in Amsterdam from 13-16 September 2024, holding Nara demos at Hotel INNSiDE by Melia. Nara will also be on the show floor at the RAI.
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IBC. Amsterdam. 13-16 September, 2024

INNSiDE by Meliá, Amsterdam
13-16 September 2024
Location »

See Baselight and Nara in action

Meet us at the INNSiDE by Meliá Hotel, close to the Convention Centre, from 13-16 September.

To book a one-on-one meeting or demonstration of Baselight … Continue reading →

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FilmLight at IBC with Updated Collaboration Tool Nara

Article courtesy of Post Perspective

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FilmLight’s Nara is offering a new suite of features that further streamline media workflows and enhance collaboration. FilmLight will be giving demos of the latest version of Nara, which provides immediate access… Continue reading →
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Creating the look for ‘Furiosa: A Mad Max Saga‘. Los Angeles. 19 August 2024

Join Alter Ego and FilmLight for an exclusive afternoon focusing on creativity and color tools – followed by drinks at The Ruby Soho Bar.
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BIRTV. Beijing. 21-24 August 2024

Stand 8B36
21-24 August 2024

Meet our team on stand #8B36. 

Exclusive colour workshops supplement comprehensive demonstrations of all of the latest platforms – Baselight ONE, Baselight TWO and Baselight X – plus the new features coming in Baselight 7.… Continue reading →

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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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