Broadcast: Suite invests in Baselight for 4K HDR work
From Broadcast:
Suite invests in Baselight for 4K HDR workPurchase is part of facility-wide UHD 4K HDR upgrade
Post house Suite TV has upgraded its grading department with a FilmLight Baselight TWO grading suite with a Blackboard … Continue reading →
postPerspective: NAB 2018 – FilmLight’s Peter Postma
Peter Postma talks to postPerspective at NAB 2018 about the new features in Baselight 5.1, Baselight on Black Panther, BLG for Flame and more…
FilmLight introduces BLG for Flame at NAB2018
New plugin brings integrated creative colour to the Autodesk visual FX application, saves time for finishing workflows
At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a … Continue reading →
Baselight 5 evolves with unrivalled features for HDR, VFX and 360 VR
Popular and proven grading software platform from FilmLight celebrates success by adding even more functionality for future-proof workflows
“Baselight 5 feels like brand new software, improving on foundation features that merge a whole new level of incredible technical precision and … Continue reading →
The majestic colours of Marvel Studios’ Black Panther
Cinematographer Rachel Morrison, ASC and Colourist Maxine Gervais collaborate on a creative journey
The latest movie from the Marvel Studios stable, Black Panther, is wowing audiences and breaking box office records. Colourist Maxine Gervais of Technicolor Los Angeles was … Continue reading →
Considerations when shooting and posting HDR for movies
Daniele Siragusano, Image Engineer, FilmLight
HDR has rapidly moved to the forefront in discussions on how to shoot and post premium content. Movies are increasingly choosing HDR as a second order deliverable and are searching for a suitable archive strategy … Continue reading →
TVB Europe: Adding Colour to The Crown
From TVB Europe:
Molinare’s senior colourist Asa Shoul returned for series two of The Crown. He talks to Jenny Priestley about adding colour to the 1950s and 60s.
FOR THOSE OF US THAT DON’T KNOW, WHAT EXACTLY DOES … Continue reading →
Collaborative colour workflow creates Coney Island for Woody Allen’s 50th movie
Veteran cinematographer Vittorio Storaro previews FilmLight’s graded looks on Wonder Wheel set
For his 50th movie as a director, Woody Allen chose a story set in and around the famous Coney Island amusement park in 1950s New York. To create … Continue reading →
FilmLight welcomes colourist Andy Minuth
Well-known colourist joins FilmLight to provide seasoned and highly technical support
FilmLight, the leading provider of professional colour grading solutions, has recruited colourist Andy Minuth as Colour Workflow Specialist. He brings a deep technical knowledge of image processing and colour … Continue reading →
Germany’s nhb expands its reach with Baselight
Post house nhb creates connected workflows for remote grading across Germany, London and the USA
Full service post-production house nhb has recently opened two new facilities, adding a second studio in Hamburg, nhbNEXT, and extending its reach into Munich. These … Continue reading →
postPerspective: Fear the Walking Dead: Encore colorist teams with DPs for parched look
From postPerspective:
The action of AMC’s zombie-infused Fear the Walking Dead this season is set in a brittle, drought-plagued environment, which becomes progressively more parched as the story unfolds. So when production was about to commence, the show’s principals … Continue reading →
L’espace Vision adds FilmLight grading and high-speed media server
Powerful FLUX Store boosts Baselight productivity in Tokyo facility
Top Tokyo post house L’espace Vision is marking its 30th anniversary by adding a powerful grading suite from FilmLight. As well as a Baselight TWO workstation, with the new version 5.0 … Continue reading →
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