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Watch now: What is FilmLight showing at NAB2017?

Peter Postma, Managing Director of FilmLight Americas, explains in more depth what you can see on the FilmLight booth at NAB2017.

Fore more information about the benefits of 5.0 everywhere, you can also read our press release.

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FilmLight announces Baselight STUDENT

New offering allows experienced or future talent to move up to Baselight with support from FilmLight

At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities … Continue reading →

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Prelight 5.0 provides on-set look creation at NAB2017

Interest grows in simple software that ensures true visualisation pre- and on-set

After a promising start to the Prelight beta programme – with over 700 users joining since it was announced – FilmLight will demonstrate Prelight 5.0 at NAB2017 (booth … Continue reading →

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FilmLight rolls out 5.0 across its entire product range

At NAB2017 (booth SL3828, Las Vegas Convention Center, 24–27 April), FilmLight will demonstrate its version 5.0 advanced colour tools. Users will benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight colour grading … Continue reading →

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Lowepost: Base Grade and the Evolution of Grading Tools

From Lowepost:

Base Grade and the Evolution of Grading Tools

The color-grading specialist FilmLight caused a bit of stir in the colorist community at NAB 2016. They introduced Base Grade, a new grading operator for … Continue reading →

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Meet The Colourist: Duncan Russell, Freefolk, London

“It’s a bottomless toolset and I’m still finding new ways to grade with it. I continually share my wonderment with clients, some will geek out with me, and some don’t care as long as it looks how they envisaged their Continue reading →
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postPerspective: Creating the color of Hacksaw Ridge

From postPerspective:

Creating the color of Hacksaw Ridge

Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when cinematographer Simon Duggan enquired about her interest and availability for the film. She didn’t have … Continue reading →

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Baselight delivers client confidence for FutureWorks

Leading Indian post company finishes high-profile work for film and television

FutureWorks Media, the leading Indian post production company, has installed two Baselight grading suites in its finishing facility in Mumbai. The company, which has three locations in the country’s … Continue reading →

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Meet The Colourist: Yoomin Lee, Jogger Studios, London

“To me, Baselight is by far the best grading system out of all the systems that I have used. To achieve the same thing, I can save a lot more time using Baselight with its great functions. It’s good to Continue reading →
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Umedia launches integrated Vancouver studio with Baselight

Umedia assembles renowned Visual Effects and Post Production team to launch new Vancouver facility

International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. … Continue reading →

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Meet The Colourist: Special Video Interview with Peter Doyle, Supervising Colourist, Technicolor London

“The role of a colour grader is changing and it’s starting to morph to almost like a finishing artist. And that skillset is really being learnt as we go.”

Peter Doyle is one of film industry’s most distinguished supervising digital … Continue reading →

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Meet The Colourist: Soichi Satake, Toei Digital Lab, Tokyo

“Along with the ergonomic toolset, Baselight is the only system that offers me satisfaction for both productivity and creativity at same time.”

Toei Digital Lab is based in Tokyo and has three Baselight colour grading and finishing systems.

Soichi Satake … Continue reading →

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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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